CIAC | Artigos em revistas internacionais / Papers in international journals
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- Apresentação. Dossiê: Função Pedagógica de Cinema NegroPublication . Marcos, Adérito; Prudente, Celso Luiz; Neto, João Clemente SouzaEste dossiê tem como base reflexões e debates sobre o modo de pensar como uma questão social a situação e a imagem do negro no cinema. Quando inclui o social, o cinema aparece como uma ferramenta educacional, formadora de opiniões e mentalidades. O denominado cinema negro evidencia as complexas estruturas sociais que reproduzem a desigualdade social e o racismo, induzindo à culpabilização do povo negro.
- AR with cloud anchors: a way to improve HCI and interactive artPublication . Antunes, João; Bidarra, José; Figueiredo, MauroDespite all the potential of augmented reality to improve the human-computer interface (HCI) and the user experience, it’s still below the expected usage. The reason may be related to the fact that until recently the AR implementation was mostly markerbased or GPS-based to trigger additional content (video, 3D, or other) to the reality identified with the camera. The research in this paper is focused on AR marker-less solutions that allows sharing AR content between users across the Cloud, based on the anchor identification. With this technological paradigm shift, the potential for use of new functional environments and an unprecedented status of HCI enrichment is achieved. In addition to the operations related to the applications functionality, the door opens for media-art artists to create AR models that can be shared in a multiple user environment across the Cloud.
- Artefacto computacional: elemento central na prática artística em arte e cultura digitalPublication . Marcos, AdéritoÉ discutida a emergência da arte digital e das suas diversas variantes tais como a arte computacional e a média-arte digital. E de como esta forma de expressão artística e cultural se vem afirmando numa contemporaneidade caracterizada pela revolução tecnológica digital. É analisada a natureza da criação e fruição da arte e cultural digital, as práticas artísticas relacionadas e como nestas, o artefacto computacional assume um papel central. Apresentam-se, em contexto, exemplos de artefactos, promovendo-se a sua recensão à luz da arte e cultura digital contemporânea, enquanto se discutem alguns elementos de uma estética dos artefactos computacionais.
- Assum livre performance: a live environment for cyberperformancePublication . Sapucaia, Rosimária; Bidarra, José; Saldanha, ÂngelaThe performance “Assum Livre” integrates a sequence of artefacts fisrtly presented for the PhD Thesis “Backyard of Sounds: A path to sound immersion”. It was recently recreated in a cyberspace event, thus its transcription to cyberperformance. It consists of an artistic proposal that seeks to reflect on freedom/imprisonment, evoking a metaphor that recreates the experience of the lockdown periods in 2020/2021. The performance is based on the streaming of a video recorded with the author/singer performing part of the song “Assum Preto” (Teixeira and Gonzaga, 1950), simultaneously with the live performance of the other stanzas of the song. These alternate with the presentation of the lyrics, and the materialization of the performer. As backdrop we have a natural scenery as a projection of “freedom”, depicting the natural habitat threatened by human intervention, enhanced by the natural soundscapes and integrating the hybridization of image / sound / live performance. The main concepts, the description of the artefact, and the developments made are discussed.
- Backyard sounds: an immersive sound experience in Almenara-Vale do Jequitinhonha, BrazilPublication . Rocha, Rosimária; Saldanha, Ângela; Bidarra, JoséThis article is a study on the immersive sound installation “Backyard Sounds”. The union of our artistic practice to theoretical research resulted on the birth of this project. One of the main objectives of “Backyard Sounds” was the consideration of the sounds of contemporaneity. Seeking to lead users to experience videos and sounds in a dark room, since sounds were only set off with the users’ approach,sounds of nature and those produced by humans were used intentionally to demonstrate the inherent paradoxes of contemporary life. This research consists of a study on the immersive sound installation “Backyard Sounds”. The authors approach the artistic process involved in its creation and the concepts, notions, and reflections related to the computational artifact. The sounds heard were reveries of the soundscapes (concept of sounds of nature and others produced by humans), and it was intended to bring users the extreme paradoxes of contemporary life.
- Canon and process in the 3D modeling of human anatomyPublication . Azevedo, Hugo de; Araújo, AntónioThe authors argue that the concept of the anatomical canon is not just an arbitrary standard of anatomical beauty but an indispensable mnemonic tool for the artist. The authors further argue that the canon is most relevant when adapted to a specific artistic process and tools, and in particular must be updated to the requirements of the digital tools of 3D modeling. A proposal of such a canon is discussed, as well as the process of its synthesis from standard 3D primitives and its artistic applications.
- Computer artefact: the crucial element in artistic practice in digital art and culturePublication . Marcos, AdéritoÉ discutida a emergência da arte digital e das suas diversas variantes tais como a arte computacional e a média-arte digital. E de como esta forma de expressão artística e cultural se vem afirmando numa contemporaneidade caracterizada pela revolução tecnológica digital. É analisada a natureza da criação e fruição da arte e cultural digital, as práticas artísticas relacionadas e como nestas, o artefacto computacional assume um papel central. Apresentam-se, em contexto, exemplos de artefactos, promovendo-se a sua recensão à luz da arte e cultura digital contemporânea, enquanto se discutem alguns elementos de uma estética dos artefactos computacionais.
- O Cortejo das Rainhas: performance transdisciplinar de invocação do feminino e da águaPublication . Pereira, Selma; Pérez, Pilar; Marcos, AdéritoO Cortejo das Rainhas constituiu uma performance artística com expressão transdisciplinar e uma forte ligação à cultura, ao ancestral, ao simbólico e ao espiritual. A performance, integrada na linha de reflexão e crítica denominada Reina Posbolonia, envolveu mais de 20 participantes, teve lugar na cidade de Silves, Portugal, e resultou num fator catalisador individual, do grupo e da interpelação da comunidade no seu lugar (nas ruas, vielas, castelo e teatro da cidade). Neste artigo, analisamos os arquétipos, símbolos e dualidades presentes na performance, focando-nos no processo criativo da performance-ritual e nos seus aspetos comuns com o carnaval, de modo a contribuir para a discussão da dimensão transdisciplinar da invocação simbólica a elementos da espiritualidade, da ancestralidade e do sagrado.
- Critical spatial thinking in women's resilience for an inclusive cityPublication . Carvalho, Isabel CristinaGender continues to affect how urban spaces are perceived and experienced. Girls and women continue to experience sexual harassment, feel unsafe and conditioned as they live and move in urban environments. Reinforcing the concept "Right to the City" of Henri Lefebvre (1991) and David Harvey (2008), this paper aims to explore the need to promote critical spatial thinking to demystify gender stereotypes, leading to the exercise of active citizenship, able to participate and contribute to the (re)design of an inclusive city. People are social products whose values and beliefs are shaped by society, often perpetuating social practices and norms that promote gender inequalities. It is crucial to enable and encourage critical spatial thinking about women's environment to understand and recognise existing limitations and constraints. The desire for change begins with awareness of the situation in which we live. Several authors refer to critical thinking as fundamental to the empowerment process, pointing out that by exercising critical reflection on the situation, women challenge gender inequality. The exercise of critical spatial thinking also highlights the need for new communication processes that recognise and enhance the importance of showing and share individual perspectives in the use of urban spaces. It will enrich a more active collective voice, increase civic participation necessary to build safer and gender-equal spaces in urban life.
- Curating the Everywhere Museum of EverythingPublication . Veiga, Pedro Alves daThe Everywhere Museum of Everything is a research and action proposal founded on the array of aestheticised online content, which can be purposefully and critically curated in order to create a meaningful territory of contemporary online culture, art and knowledge creation. This abundance of content is rooted in a culture of consumerism, blackboxed mobile applications and social networks. Individual experiences in the physical world have been transformed by onlineness, a combination of the pervasive use of mobile devices and applications over Internet access, used to share opinions and evidence through original and remixed media, often complemented by hashtagging. Even if the majority of this content quickly becomes irrelevant and forgotten, it can still be accessed through an augmented view of the world, as digital media is frequently anchored to locations through geo-tagging or referencing. This vast collection lacks systematization and classification, but presents multiple possibilities for artists, curators and scholars.