Arte | Comunicações em congressos, conferências e seminários / Communications in congresses, conferences and seminars
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- Anamorfoses e outras tecnologias imersivas no contexto da educação artísticaPublication . Flores, Manuel; Araújo, António; Figueiredo, MauroApresentamos uma proposta de investigação na área da média-arte digital onde se pretende combinar os princípios da anamorfose com as novas tecnologias baseadas na realidade aumentada. Esta perspetiva tem subjacente a ideia de que é possível relacionar a anamorfose cónica com as projeções realizadas em Realidade Aumentada. No âmbito desta investigação propõe-se uma abordagem ao estudo da perspetiva centrada nos contributos de Dürer e nos conceitos fundamentais da construção de anamorfoses. Pretende-se refletir sobre as possibilidades desta abordagem metodológica e analisar os seus contributos no desenvolvimento da capacidade de visualização espacial dos alunos do 3º ciclo do ensino básico e, desta forma, facilitar a compreensão dos conceitos relativos ao ensino da geometria.
- Belle Toujours: a beleza eterna do cinema como teatro da vidaPublication . Bello, Maria do Rosário LupiAnálise do filme de Manoel de Oliveira "Belle Toujours" e do conceito de teatro na filmografia do realizador.
- Cardboarding mixed reality with Dürer MachinesPublication . Araújo, AntónioMixed reality is a direct application of 15 to 17th century principles of anamorphosis. The inherent physicality of anamorphosis, materialized through the Dürer perspective machine makes it an excellent teaching tool for students of digital art interested in mixed reality, whose initial core competencies may be extremely varied. The needs of these students are not met by the mere ephemera of learning how to use a particular piece of software; such knowledge is both transient and limiting of imaginative possibilities. We discuss a didactic strategy of cardboarding, i.e., a process of deliberate rudimentarization, to expose the inner workings of opaque chains of digital processes, to both clarify the elements of these chains and create loci for artistic intervention at their points of connection.
- Characterization of the ceramic Glazed tiles of the Palácio Almada (Lisboa)Publication . Flor, Pedro; Carvalho, Ana Paula; Vaz, Fátima; Flor, Susana Varela; Santos, TeresaThis study reports the mineralogical and chemical characterization of the ceramic body of tiles signed by Gabriel del Barco, which belong to the Palácio Almada in Lisbon [1]. Nowadays, the tile panels are not in its original place and their appearance reflect the constant changes that they have been through. Gabriel del Barco was an important tile painter from the 17th century, who began his career as an oil painter, linked to the most relevant Portuguese baroque artists. The influent Almada family was the owner of the former palace near Rossio, one of the most significant and busy squares in 17th century Lisbon. Gabriel del Barco has been currently under investigation by the authors of this presentation through a FCT funded project [2]. In fact, the painter’s characteristics and his large amount of works (both signed and ascribed), make him a unique artist in the Portuguese tile’s panorama. Powder samples carefully removed from the two panels of the palace were analysed by X-ray diffraction (DRX) and energy-dispersive X-ray spectroscopy (EDS). The results revealed that the mineralogical and chemical compositions are almost the same for the two panels. Chloride is present only in one of the panels. A comparison with the present results is made with a recent work, where signed and nonsigned tiles attributed to the artist, was made [3]. We discuss the several factors that may affect the characteristics of old tiles, which may involve differences in the manufacturing process, or environmental factors as the precipitation of water
- Chemical and mineralogical characterization of ancient Portuguese ceramic tiles of the first quarter of the XVIIIth centuryPublication . Flor, Pedro; Carvalho, Ana Paula; Vaz, Fátima; Flor, Susana Varela; Esteves, Lurdes; Carvalho, Rosário Salema deThe main objective of the present work is to establish a correlation between the characteristics of the ceramic body of ancient tiles and the workshop where they were made. The work was carried out with tiles from the Museu Nacional do Azulejo collection, but the aim is to study the most important period of the history of tiles in Portugal, the first quarter of the 18th century, the so called Ciclo dos Mestres (Master’s Cycle). In the present work, we make use of SEM-EDS and DRX to determine the major constituents of the ceramic body, as well as to evaluate the procedure used to produce the tiles. Signed and unsigned tiles were used. The analysis of the chemical composition, mineralogical phases, shape and size of particles combined with historical information allowed to conclude that the tiles of the panel Vista de Lisboa (MNAz inv. 1) and Senhora dos Corações have identical global chemical composition but not the same mineralogical characteristics. Two other tiles featuring King Charles II (MNAz inv. 691) and his wife Queen Catherine of Braganza (MNAz inv. 690), present different properties, which indicate another provenience of the clay materials and, probably, another workshop and painter.
- O cientista e a sua criatura : representações do humano na ficção científica literária e fílmicaPublication . Bello, Maria do Rosário LupiO conceito de "humano" em diversas obras de literatura e de cinema no âmbito do género "ficção científica", nomeadamente "1984", "Village of the Damned", "Moon".
- Da visão literária da guerra à sua leitura fílmica : as invasões napoleónicas no cinema em PortugalPublication . Bello, Maria do Rosário Lupi; Terenas, Gabriela Gândara
- A digressão na historiografia ibérica afonsina e pós-afonsina (sécs. XIII e XIV)Publication . Dias, Isabel de Barros
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