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- I Congresso Internacional de Humanidades UAb. Humanidades: heranças e desafiosPublication . Vila Maior, Dionísio; Novo, Ana; Chenoll, Antonio; Seara, Isabel; Childs, Jeffrey Scott; Bello, Maria do Rosário Lupi; Dix, SteffenNum cenário cultural contemporâneo (vivido sob o signo intimidante do tempo), partilham os coordenadores (Docentes do Departamento de Humanidades, da Universidade Aberta) deste volume a ideia de que se deve trabalhar cada vez mais a confiança nas Humanidades, privilegiando-se a sua centralidade e a convicção positiva nos valores da Cultura, da Literatura, das Artes, da Linguística, da História, da Filosofia, da Comunicação e Informação, dos Estudos Comparados, da Sociologia.
- Religious diversity and non-religion examined within the analytical framework of a european history of religion: Portugal as a case studyPublication . Dix, Steffen; MDPIA large part of current sociological studies implicitly or explicitly assumes that religious diversity, non-religion, and secularisation are predominantly a question of European modernity. In a certain sense this assumption is correct, as these phenomena are growing in quantity, at least in Europe, and have become much more visible since the early 20th century. However, scholarly categories or models are always dependent on a particular discourse. If we refer to an interpretive–comparative method (Jonathan Z. Smith) and specifically to the epistemological model of a European History of Religion (Burkhard Gladigow), then we could assume that religious diversity and early forms of non-religion are almost a regular occurrence in European history, but hidden generally by a Christian discourse. The first part of the article, therefore, concerns the presentation of an analytical framework that can make religious diversity and early forms of non-religion more tangible historically and culturally. In the second part, Portuguese religious history should be re-examined based on this framework. Even if we cannot answer all questions on this complex topic, it may help us to better understand some contradictions in modern Portuguese religious history, such as the discrepancy between the population’s consistently high self-declaration as Catholic and a relatively low level of religious practice.
- Fernando Pessoa: um europeu enquanto nacionalista cosmopolitaPublication . Dix, Steffen
- Introdução: Europa escrita em português (séculos XX e XXI)Publication . Dix, Steffen; Sousa, Rui
- Uma cartografia intelectual e cultural da Europa em Fernando PessoaPublication . Dix, SteffenAté ao momento, o papel de Fernando Pessoa enquanto pensador europeu quase nunca foi abordado de uma forma detalhada. Isto diz respeito tanto à maneira como ele próprio olhou para a Europa do seu tempo, bem como a algumas noções suas que revelam uma atualidade surpreendente. Esta lacuna surpreende, uma vez que Pessoa foi sempre um atento observador da modernidade europeia. Embora bastante fragmentária, Pessoa esboçou a noção de um cosmopolitismo europeu, que mais tarde se tornou centro de debates sociológicos e políticos, sobretudo a partir de alguns textos de Ulrich Beck. Assim, o principal objetivo deste artigo consiste em analisar mais pormenorizadamente estes dois pontos, demonstrando que Pessoa foi, de facto, um dos escritores mais europeus do século XX.
- Vom bleibenden Recht der Antike in der künstlerischen Moderne Europas: Fernando Pessoa und Giorgio de ChiricoPublication . Dix, SteffenModernism in the early 20th century has usually been viewed as a radical break with the past and tradition. Nevertheless, there are a great deal of direct references to classical antiquity in many works of modernist artists. This apparent contradiction forces us to rethink the notion of a radical break between the new and the past. It is with this in mind that the present article focuses on one of the most exiting periods in European cultural history. In particular, the article refers to two attempts to revitalize classical antiquity during the fijirst decades of the 20th century. These two attempts are illustrated by the Portuguese writer, Fernando Pessoa, and the Italian painter, Giorgio de Chirico. Their works are not only characteristic of the marked revival of classical antiquity in the fijirst years of Modernism, but they also reveal that this revival is more than a simple “new classicism”. Insofar as this new/past dualism, the work of Pessoa and de Chirico should be better described as an updated mythological thinking.