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The feeding pictured in the cinema: contribution of social representations
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Advisor(s)
Abstract(s)
O objetivo desse estudo é levantar e analisar as representações sociais dos espectadores de cinema referente à alimentação retratada em filmes. Utilizou-se o Google Forms para levantar no Facebook o depoimento das pessoas que gostam de cinema sobre a alimentação retratada nesse meio comunicacional e artístico. As respostas sobre o filme mais citado foram interpretadas pela análise de conteúdo, utilizando-se a teoria das representações sociais como referencial teórico. A amostra constitui-se por 35 participantes, sendo 89,9% mulheres e 11,1% homens. Os filmes que vieram à mente dessas pessoas foram 16 e o mais citado foi Festa de Babette (26,47%). Duas categorias foram levantadas: preparar o alimento e servir o alimento. Na Festa de Babette o alimento entra primeiramente com restrição, adequado à pequena aldeia, refletindo os parâmetros conservadores e religiosos das duas irmãs, sendo somente uma fonte de alimentação. O uso da teoria das representações sociais permitiu estudar no filme A Festa de Babette as realidades sociais, os fenômenos que envolvem algumas características fundamentais da vida diária e daqueles fenômenos que incomodam as rotinas das pessoas. As representações sociais sobre alimentação das pessoas que gostam do cinema emergem quando o alimento é transformado em comida saborosa, compartilhada entre as pessoas. O sabor inovador e antes inatingível retratado no filme Festa de Babete traz a importância da alimentação, da refeição como um ato cultural e social de integração, memória, inovação, partilha, sociabilidade, subjetividade e transformação individual e social através das preparações e degustações de alimentos.
The aim of this study is to survey and analyze the social representations of cinema viewers regarding the food portrayed in films. Google Forms was used to raise on Facebook the testimony of people who like cinema about the food portrayed in this communicational and artistic medium. The answers about the most cited film were interpreted by content analysis, using the theory of social representations as a theoretical framework. The sample consists of 35 participants, 89.9% women and 11.1% men. There were 16 films that came to mind and the most mentioned was Babette's Feast (26.47%). Two categories were raised: preparing the food and serving the food. At the Babette’s Feast, food first enters restrictions, suitable for the small village, reflecting the conservative and religious parameters of the two sisters, being only a source of food. The use of the theory of social representations allowed us to study in the film Babette's Feast the social realities, the phenomena that involve some fundamental characteristics of daily life and those phenomena that disturb people's routines. The social representations about food for people who like cinema emerge when the food is transformed into tasty food, shared between people. The innovative and previously unattainable flavor portrayed at the Babette’s Feast brings the importance of food, meals as a cultural and social act of integration, memory, innovation, sharing, sociability, subjectivity and individual and social transformation through food preparations and tastings.
The aim of this study is to survey and analyze the social representations of cinema viewers regarding the food portrayed in films. Google Forms was used to raise on Facebook the testimony of people who like cinema about the food portrayed in this communicational and artistic medium. The answers about the most cited film were interpreted by content analysis, using the theory of social representations as a theoretical framework. The sample consists of 35 participants, 89.9% women and 11.1% men. There were 16 films that came to mind and the most mentioned was Babette's Feast (26.47%). Two categories were raised: preparing the food and serving the food. At the Babette’s Feast, food first enters restrictions, suitable for the small village, reflecting the conservative and religious parameters of the two sisters, being only a source of food. The use of the theory of social representations allowed us to study in the film Babette's Feast the social realities, the phenomena that involve some fundamental characteristics of daily life and those phenomena that disturb people's routines. The social representations about food for people who like cinema emerge when the food is transformed into tasty food, shared between people. The innovative and previously unattainable flavor portrayed at the Babette’s Feast brings the importance of food, meals as a cultural and social act of integration, memory, innovation, sharing, sociability, subjectivity and individual and social transformation through food preparations and tastings.
Description
Keywords
Cinema Representações sociais Alimentação Gastronomia Cultura Social representations Food Culture Gastronomy
Pedagogical Context
Citation
Amorim, Maria Marta Amancio, Ramos, Natália, Santiago, Maria Cristina, Souza, Alessandra Hugo (2020). The feeding pictured in the cinema: contribution of social representations/ A alimentação retratada no cinema: contributo das representações sociais. Brazilian Journal of Development , Curitiba, v. 6, n.12, p. 94055 - 94070. DOI:10.34117/bjdv6n12-026
Publisher
Brazilian Journals Publicações de Periódicos e Editora Ltda e ISEPE Faculty