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Advisor(s)
Abstract(s)
A historiografia luso-brasileira desenvolve-se no século XX, a par e passo com a definição da arte barroca colonial. Nesse período, a análise do azulejo como decoração na arquitetura, o reconhecimento da abertura dos pintores a influências exógenas, e a assunção positiva da divergência entre a periferia e o centro da Europa foram ideias primordiais para a definição do azulejo como um campo de estudos independente. De forma recorrente, a identificação do azulejo com os valores da arte nacional foi um tema central da investigação dos historiadores, entre as quais se destacam as obras de síntese de Mário Barata (1955), Reinaldo dos Santos (1957), Robert Smith (1968), João Miguel dos Santos Simões (1963-1979) e José Meco (1985 e 1993).
The 20th-century tile historiography brought together historians on both sides of the Atlantic to define tile as an independent field of study. In these studies, it was essential to evaluate the relationship between tiles and architecture, to recognize the tile painters openness to exogenous influences, and to positively assume the divergence between the periphery and the center of Europe. As could be expected, the identification of the tile with the values of national art was a central theme of the investigation, among which the synthesis of Mário Barata (1955), Reinaldo dos Santos (1957), Robert Smith (1968), João Miguel dos Santos Simões (1963-1979) and José Meco (1985 and 1993) stand out.
The 20th-century tile historiography brought together historians on both sides of the Atlantic to define tile as an independent field of study. In these studies, it was essential to evaluate the relationship between tiles and architecture, to recognize the tile painters openness to exogenous influences, and to positively assume the divergence between the periphery and the center of Europe. As could be expected, the identification of the tile with the values of national art was a central theme of the investigation, among which the synthesis of Mário Barata (1955), Reinaldo dos Santos (1957), Robert Smith (1968), João Miguel dos Santos Simões (1963-1979) and José Meco (1985 and 1993) stand out.
Description
Keywords
Historiografia Século XIX Azulejo Brasil Portugal Tile (azulejo) Historiography 20th century Brazil
Citation
CÂMARA, Maria Alexandra Trindade Gago da, e Celso Mangucci. “Breve Panorama da Historiografia do Azulejo em Portugal e no Brasil no século XX”. In Barroco em Movimento. Portugal e Brasil e a construção de um novo olhar. Sevilha, Universidad Pablo Olavide, Sevilha, Enredars, Universo Barroco Iberoamericano, 2022, pp.37-62
Publisher
Universidad Pablo Olavide | Enredars | Universo Barroco Iberoamericano