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Salema Cordeiro Correia de Carvalho, Maria do Rosário
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- In portuguese... and spanish, enhglish, dutch, french... singularities of portuguese azulejos within european historiographyPublication . Câmara, Maria Alexandra Gago da; Carvalho, Rosário Salema deThe link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to the creation and consolidation of this phenomenon.
- Inventário do património em azulejo no concelho do MontijoPublication . Pires, Isabel; Carvalho, Rosário Salema de; Câmara, Maria Alexandra Gago daIntegrado numa vasta e rica memória patrimonial, o azulejo assume, como sabemos, desde cedo, um papel modelador da arquitectura, sendo cada vez menos entendido apenas e exclusivamente como elemento decorativo. É dentro desta perspetiva que o Montijo se destaca aqui como núcleo urbano com significativo peso expressivo, visível tanto em algumas importantes e destacadas campanhas decorativas do azulejo barroco (exemplo da Igreja Matriz do Espírito Santo) como, especificamente, na variedade dos revestimentos azulejados dos edifícios de arquitectura residencial, designada corrente, dos finais do século XIX e primeiro quartel do século XX, tendo-lhe sido atribuída uma maior atenção em relação às restantes zonas levantadas.
- Chemical and mineralogical characterization of ancient Portuguese ceramic tiles of the first quarter of the XVIIIth centuryPublication . Flor, Pedro; Carvalho, Ana Paula; Vaz, Fátima; Flor, Susana Varela; Esteves, Lurdes; Carvalho, Rosário Salema deThe main objective of the present work is to establish a correlation between the characteristics of the ceramic body of ancient tiles and the workshop where they were made. The work was carried out with tiles from the Museu Nacional do Azulejo collection, but the aim is to study the most important period of the history of tiles in Portugal, the first quarter of the 18th century, the so called Ciclo dos Mestres (Master’s Cycle). In the present work, we make use of SEM-EDS and DRX to determine the major constituents of the ceramic body, as well as to evaluate the procedure used to produce the tiles. Signed and unsigned tiles were used. The analysis of the chemical composition, mineralogical phases, shape and size of particles combined with historical information allowed to conclude that the tiles of the panel Vista de Lisboa (MNAz inv. 1) and Senhora dos Corações have identical global chemical composition but not the same mineralogical characteristics. Two other tiles featuring King Charles II (MNAz inv. 691) and his wife Queen Catherine of Braganza (MNAz inv. 690), present different properties, which indicate another provenience of the clay materials and, probably, another workshop and painter.