CIAC | Artigos em revistas internacionais / Papers in international journals
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Browsing CIAC | Artigos em revistas internacionais / Papers in international journals by Sustainable Development Goals (SDG) "09:Indústria, Inovação e Infraestruturas"
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- Curating the Everywhere Museum of EverythingPublication . Veiga, Pedro Alves daThe Everywhere Museum of Everything is a research and action proposal founded on the array of aestheticised online content, which can be purposefully and critically curated in order to create a meaningful territory of contemporary online culture, art and knowledge creation. This abundance of content is rooted in a culture of consumerism, blackboxed mobile applications and social networks. Individual experiences in the physical world have been transformed by onlineness, a combination of the pervasive use of mobile devices and applications over Internet access, used to share opinions and evidence through original and remixed media, often complemented by hashtagging. Even if the majority of this content quickly becomes irrelevant and forgotten, it can still be accessed through an augmented view of the world, as digital media is frequently anchored to locations through geo-tagging or referencing. This vast collection lacks systematization and classification, but presents multiple possibilities for artists, curators and scholars.
- A performance académica como ritual de criação e ativismo na era pós-digitalPublication . Pérez, Pilar; Pereira, Selma; Marcos, AdéritoPerformance-ritual as a form of unconventional action, spontaneous and immediately directed to an audience inserted in a given scientific, artistic, or cultural event, has been adopted as a vehicle for artistic intervention and social criticism taking the university as the platform for creativity, freedom, and questioning of the normal-hegemonic and power structures.In this article, we approach five performative interventions carried out between the years 2008 and 2010, in the path of the so-called “academic performance,” which took place in Japan, Spain, Portugal, and Cape Verde, where the ritualism and the dynamics of power were reflected and questioned, their meaning and exercise, in the university space, as well as the gradual hegemony of the university reform project known as the Bologna model.In the article, we analyze each of these performances from the symbolic, iconographic, pointing to the space of post-digital creation.
- Post-digital fashion: the evolution and creation cyclePublication . Pereira, Selma; Marcos, AdéritoIn the face of the Covid-19 pandemic, the fashion industry was surprised and quickly had to adapt to digital media. However, the relationship between fashion and the multiplicity of screens is not new. Fashion emerged and took its first steps with Cinema, in Modernity. Although there are times when these two systems are further apart from each other, the alliance survived. To analyse contemporaneity, we take as main reference the studies of Gilles Lipovetsky, and his reflections on aesthetic capitalism. The fashion system has many Western fields of life, including art and technology. In this article we discuss how this relationship of fashion adapts and develops with aesthetic capitalism and post-digital art while we analyse representative artefacts from/about fashion. We propose to put the recent digital fashion artefacts in dialogue with post-digital aesthetics theories, discussing the blurred boundaries between the digital and the post-digital, and proposing the instantiation of a post-digital creation cycle applied to fashion artefacts.
- Relações entre o pós-digital e o complexo industrial do capitalismo: reformulações sobre a tecnologia como ideologia e lixo digital na artePublication . Paquete, Hugo; Marcos, Adérito; Bastos, Paulo BernardinoThis essay presents a mapping of the historical concepts that contributed to the emergence of post-digital aesthetics and their connections to the concept of post-media in historical terms. It also analyzes the transition from techno-positivism to discourse of resistance against the effects of the capital technological industrial complex and how these advances in technology influence artistic discourses, practices and are the leverage of art and technology which is nothing more than a representation of the aesthetics of capital. Following art and capitalism as an ideology of innovation. Is proposed an unstinting theory about technology, geology, and the importance of these conditions to the post-digital aesthetics in terms of material disposable and conceptual articulation. Producing a reconfiguration of the post-digital conceptual approach as I propose beyond the dysfunctional aesthetics and connected with the concept of radical ecology centred in the usability of electronic garbage and technical obsolescent technologies in the arts.