Loading...
Publication
O cânone entre estátuas e palavras: Camões & companhia em José Saramago
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 130.24 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Como figura incontornável do cânone português, Camões é um dos autores-chave da biblioteca de José Saramago, marcando em especial a paisagem literária de "O ano da morte de Ricardo Reis" (1984). Levando-se em conta outras reflexões já feitas sobre o tema, este trabalho busca analisar o modo como esse romance aborda tanto Camões como parte da sua recepção. Trata-se de mostrar que mais de um Camões é apresentado ao longo da narrativa e que a recuperação do cânone em Saramago de maneira geral passa pela revisão do que já se disse e se fez com ele, passa pela leitura de outras pinturas de um mesmo lugar, inevitavelmente transformado, quando não criado por elas.
As an inescapable figure of the Portuguese canon, Camões is one of the key authors in José Saramago’s library, and he stands out in the literary landscape of The Year of the Death of Ricardo Reis (1984). Taking into account other studies on the subject, this paper seeks to analyze how this novel addresses both Camões and part of its reception. The main goal is to show that more than one Camões is presented throughout the narrative and that the representation of the canon in Saramago in general passes through the revision of what has already been said and done with it, passes through the reading of other paintings of the same place, inevitably transformed, if not created, by them.
As an inescapable figure of the Portuguese canon, Camões is one of the key authors in José Saramago’s library, and he stands out in the literary landscape of The Year of the Death of Ricardo Reis (1984). Taking into account other studies on the subject, this paper seeks to analyze how this novel addresses both Camões and part of its reception. The main goal is to show that more than one Camões is presented throughout the narrative and that the representation of the canon in Saramago in general passes through the revision of what has already been said and done with it, passes through the reading of other paintings of the same place, inevitably transformed, if not created, by them.
Description
Keywords
José Saramago Camões Cânone Estudos portugueses Literatura portuguesa Intertextualidade Intermedialidade Canon Intertextuality Intermediality