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Abstract(s)
Estudar a arte do retrato em Portugal, em particular a produzida entre o final da Idade Média e o Renascimento, constitui o objecto da actual reflexão. Ao longo do período considerado, vários espécimes de retrato foram executados sob os mais diversos formatos, materiais, tipos e qualidades. A identificação e a análise dos principais testemunhos da arte do Retrato entre nós e o estabelecimento de paradigmas
e práticas de representação serão inquietações que nos acompanharão ao longo do nosso trabalho. A contextualização histórica e o estabelecimento de vocabulário específico sobre a retratística moderna nacional, bem como de uma tipologia flexível mas rigorosa, assumirão particular destaque durante o presente artigo.
The art of portraiture in Portugal, particularly that of the Middle Ages and the Renaissance, is the main object of this study. Various examples of portraits were made under the most diverse formats, materials and types. The identification and analysis of the main portraits produced and the establishment of practises of representation are concerns that will be focused in this work. The historical context and the setting up of specific vocabulary in the study of portraiture, as well as a flexible yet rigorous typology, are also key issues of this essay.
The art of portraiture in Portugal, particularly that of the Middle Ages and the Renaissance, is the main object of this study. Various examples of portraits were made under the most diverse formats, materials and types. The identification and analysis of the main portraits produced and the establishment of practises of representation are concerns that will be focused in this work. The historical context and the setting up of specific vocabulary in the study of portraiture, as well as a flexible yet rigorous typology, are also key issues of this essay.
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Keywords
Retrato Renascimento Pintura Nuno Gonçalves Francisco de Holanda Portrait Renaissance Painting
Citation
Publisher
Instituto de História da Arte (FCSH/NOVA)