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'Criatividade participativa' intercultural : o processo de criação no Tanztheater de Pina Bausch
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Abstract(s)
Da prática de ‘criatividade participativa’ intercultural (re)nasceu, no âmbito da produção do
Wuppertaler Ballett, uma diferente e transdisciplinar abordagem de expressão artística: o
Teatro-dança, Tanztheater pela mão da coreógrafa alemã Pina Bausch.
Com este estudo pretendemos responder a questões ligadas à contribuição, durante o
processo de criação, dos bailarinos-atores e das bailarinas-atrizes que, a partir da partilha das
suas histórias de vida e através de um processo colaborativo de criação, ajudaram a construir
o legado artístico desta coreógrafa pós-modernista. Deste legado, que resultou do seu
trabalho enquanto diretora artística do Tanztheater Wuppertal, focar-nos-emos na produção
realizada a partir de ‘residências artísticas’, em particular na peça criada a partir da
‘residência artística’, em Lisboa, intitulada Masurca Fogo, cujo processo de trabalho e
relação do elenco com a coreógrafa se encontra refletido no documentário do realizador
português, Fernando Lopes, com o título Pina Bausch. Lissabon Wuppertal Lisboa (1998).
Com a nossa reflexão sobre a relação dos bailarinos-atores e das bailarinas-atrizes com a
coreógrafa e a partir do registo em vídeo sobre o seu processo de ‘criação participativa’
pretendemos trazer à discussão a realidade de um coletivo artístico multicultural e as relações
interculturais que se estabeleceram no seio do grupo e a partir dele, sem esquecer as obras
realizadas e a transculturalidade que refletem.
From the practice of intercultural 'participatory creativity' (re)emerged, and within the scope of the Wuppertaler Ballett production, a different and transdisciplinary approach to artistic expression: the Dance Theatre, Tanztheater by German choreographer Pina Bausch. With this study, we intend to answer questions regarding the contribution, during the creation process, of dancer-actors and dancer-actresses who, through the sharing of their life stories and a collaborative creation process, helped construct the artistic legacy of this postmodern choreographer. From the legacy that resulted from her work as artistic director of the Tanztheater Wuppertal, we will focus on the production of 'artistic residences'. We will particularly focus on the play created at an ‘artistic residence’, in Lisbon, entitled Masurca Fogo, whose work process and relationship between cast and choreographer is reflected in the documentary of the Portuguese director, Fernando Lopes, under the title Pina Bausch. Lissabon Wuppertal Lisboa (1998). Through our interpretation of the relationship between dancers and choreographer and our observation of the video recording of their ‘participatory creation’ process, we intend to bring up for discussion the reality of a multicultural artistic collective and the intercultural relations that were established within and from the group, without forgetting the accomplished works and the transculturality they reflect.
From the practice of intercultural 'participatory creativity' (re)emerged, and within the scope of the Wuppertaler Ballett production, a different and transdisciplinary approach to artistic expression: the Dance Theatre, Tanztheater by German choreographer Pina Bausch. With this study, we intend to answer questions regarding the contribution, during the creation process, of dancer-actors and dancer-actresses who, through the sharing of their life stories and a collaborative creation process, helped construct the artistic legacy of this postmodern choreographer. From the legacy that resulted from her work as artistic director of the Tanztheater Wuppertal, we will focus on the production of 'artistic residences'. We will particularly focus on the play created at an ‘artistic residence’, in Lisbon, entitled Masurca Fogo, whose work process and relationship between cast and choreographer is reflected in the documentary of the Portuguese director, Fernando Lopes, under the title Pina Bausch. Lissabon Wuppertal Lisboa (1998). Through our interpretation of the relationship between dancers and choreographer and our observation of the video recording of their ‘participatory creation’ process, we intend to bring up for discussion the reality of a multicultural artistic collective and the intercultural relations that were established within and from the group, without forgetting the accomplished works and the transculturality they reflect.
Description
Keywords
Masurca Fogo Criatividade participativa Teatro Dança Residências artísticas Interculturalidade Transculturalidade Relações interculturais Participative creativity Dance theatre Interculturality Artistic residency Transculturality
Citation
Dias, Teresa Norton - 'Criatividade participativa' [Em linha]: o processo de criação no Tanztheater de Pina Bausch. [S.l.]: [s.n.], 2019. 311 p.