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Os estereótipos na representação do feminino na ficção queirosiana
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Advisor(s)
Abstract(s)
A presente dissertação analisa a representação do feminino na ficção queirosiana,
considerando as personagens centrais dos três romances de Eça de Queirós mais
comprometidos com o retrato da sociedade, isto é, O Crime do Padre Amaro, O Primo
Basílio e Os Maias, mas não descurando a relação com outras obras do autor.
As personagens, tais como Luísa, Juliana, D. Felicidade, Maria Monforte, Maria
Eduarda, Raquel Cohen, a Condessa de Gouvarinho, Amélia, as irmãs Gansosos, a Sr.ª D.
Maria da Assunção e D. Josefa Dias, são analisadas de acordo com a componente física e
psicológica, o vestuário, o estatuto social e o perfil moral, procurando detetar
características comuns que conduzem à identificação de estereótipos na construção das
mesmas.
Apesar de a galeria de personagens femininas da ficção queirosiana ser extensa, os
estereótipos a que estas pertencem é bastante mais restrito, porque integram grupos, de
acordo com modelos assentes em perfis específicos. Assim, as mulheres apresentadas por
Eça de Queirós revelam pontos de contacto em diversos níveis, que permitem situar a
figura feminina numa tipologia: a adúltera, a solteirona, a beata ou a estrangeira.
Os estereótipos são transversais à generalidade da ficção queirosiana, apesar de ser
possível identificar casos pontuais em que são subvertidos, numa perspetiva de oposição
ou de heterogeneidade face às restantes personagens femininas, como sucede com
Leopoldina, que está nos antípodas da mulher oitocentista, ou com Maria Eduarda, que
conjuga múltiplas facetas.
This dissertation analyses the representation of the female characters in the fiction of Eça de Queirós, taking into account the three romances that best portray the society, O Crime do Padre Amaro, O Primo Basílio and Os Maias, relating them also with other fictional works of the author. Characters, such as Luísa, Juliana, D. Felicidade, Maria Monforte, Maria Eduarda, Raquel Cohen, Condessa de Gouvarinho, Amélia, the sisters Gansosos, D. Maria da Assunção and D. Josefa Dias, are seen according to the physical and psychological perspective, the clothes used, the moral profile and social status shown. Therefore, it is possible to find common characteristics that lead to the identification of stereotypes in these characters. Despite the extensive gallery of female characters in the fictional work of the author, the stereotypes to which they belong are restricted because they are included in groups, based on specific profiles such as the adulterous, the spinster, the pious and the foreigner. Although the stereotypes are part of the fictional work of Eça de Queirós, it is also possible to identify some cases of subversion of the stereotypes through opposition or heterogeneity. Comparing to the other female characters, Leopoldina and Maria Eduarda are examples of subversion as the first is the opposite of the other women and the second congregates multiple profiles.
This dissertation analyses the representation of the female characters in the fiction of Eça de Queirós, taking into account the three romances that best portray the society, O Crime do Padre Amaro, O Primo Basílio and Os Maias, relating them also with other fictional works of the author. Characters, such as Luísa, Juliana, D. Felicidade, Maria Monforte, Maria Eduarda, Raquel Cohen, Condessa de Gouvarinho, Amélia, the sisters Gansosos, D. Maria da Assunção and D. Josefa Dias, are seen according to the physical and psychological perspective, the clothes used, the moral profile and social status shown. Therefore, it is possible to find common characteristics that lead to the identification of stereotypes in these characters. Despite the extensive gallery of female characters in the fictional work of the author, the stereotypes to which they belong are restricted because they are included in groups, based on specific profiles such as the adulterous, the spinster, the pious and the foreigner. Although the stereotypes are part of the fictional work of Eça de Queirós, it is also possible to identify some cases of subversion of the stereotypes through opposition or heterogeneity. Comparing to the other female characters, Leopoldina and Maria Eduarda are examples of subversion as the first is the opposite of the other women and the second congregates multiple profiles.
Description
Keywords
Eça de Queirós, 1845-1900 Mulheres Representação Estereótipo Subversão Woman Representation Stereotype Subversion
Citation
Fernandes, Andreia Miriam Marantes - Os estereótipos na representação do feminino na ficção queirosiana [Em linha]. [s.l.]: [s.n.], 2019. 142 p.