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Representação da doença no cinema documentário autobiográfico

2014Book part Open access
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dc.contributor.authorSerafim, José Francisco
dc.contributor.authorRamos, Natália
dc.date.accessioned2020-03-09T10:57:11Z
dc.date.available2020-03-09T10:57:11Z
dc.date.issued2014
dc.description.abstractO texto destaca a importância e a atualidade do filme documentário autobiográfico, debruçando-se igualmente sobre a análise de seis filmes documentários de cariz autobiográfico que abordam a representação e vivência da doença mental e física, de estados psicológicos e somáticos, bem como de processos subjetivos, emocionais, identitários, terapêuticos, familiares, psicossociais e de saúde envolvidos.pt_PT
dc.description.abstractThe purpose of this communication is to discuss and analyze a very common theme in contemporary documentary productions, the presence of the director in the film whose main theme to their own history, and more specifically those that address the disease.Are a multiplicity of interests that lead a director to disclose, stripping naked face to the camera, but all aim to bring what was usually behind the scenes of realization, or rather behind the camera, daring, revealing, often uneasily, situations in their own lives.From mainly 1980s, a lot of filmmakers will specialize this theme in works focused on themselves, in their lives.Examples of documentaries that show the status of the director’s own illness are the films of Hervé Guibert, La Pudeur ou l’impudeur (1989); Johan van der Keuken, and more recently John Pinto What Now? Remember Me (2013). On the other hand, Tarnation (2003) Jonathan Caouette and the documentary of David Sieveking, Do not Forget Me (Vergiss mein nicht 2013) and the documentary of Sandrine Bonnaire, Elle s’appelle Sabine (2007), show the situation of a close family illness. Our goal is to show and analyze what these films have in common and how these lives are shown, what strategies these filmmakers use to unfold in the film, as is his presence on the screen, and what devices and film elements are employed for this selfmostration.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationSerafim, J.F. Ramos, N. (2014). Representação da doença no cinema documentário autobiográfico. In A. Costa Valente & R. Capucho (Coord.), Avanca/Cinema 2014. Ed. Cine-Clube de Avanca, Avanca, p. 28-33.pt_PT
dc.identifier.isbn978-989-96858-4-0
dc.identifier.urihttp://hdl.handle.net/10400.2/9451
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherEd. Cine-Clube de Avancapt_PT
dc.subjectAutobiografiapt_PT
dc.subjectCinemapt_PT
dc.subjectAutobiografia e cinemapt_PT
dc.subjectFilme documentáriopt_PT
dc.subjectFilme autobiográficopt_PT
dc.subjectRepresentaçãopt_PT
dc.subjectSaúdept_PT
dc.subjectDoençapt_PT
dc.subjectSubjetividadept_PT
dc.subjectMemóriapt_PT
dc.subjectSofrimentopt_PT
dc.subjectPsicologiapt_PT
dc.subjectRepresentação da doençapt_PT
dc.subjectCulturapt_PT
dc.subjectDocumentary filmpt_PT
dc.subjectAutobiographicalpt_PT
dc.subjectIllnesspt_PT
dc.subjectRepresentationpt_PT
dc.subjectSelf-mostrationpt_PT
dc.titleRepresentação da doença no cinema documentário autobiográficopt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceAvancapt_PT
oaire.citation.endPage33pt_PT
oaire.citation.startPage28pt_PT
oaire.citation.titleAvanca/Cinema 2014pt_PT
person.familyNameRamos
person.givenNameNatália
person.identifier.ciencia-idDA15-2790-33C3
person.identifier.orcid0000-0002-8448-1846
person.identifier.scopus-author-id56769281700
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
relation.isAuthorOfPublication1b82562b-8ab7-400e-ad9d-2437fab4a256
relation.isAuthorOfPublication.latestForDiscovery1b82562b-8ab7-400e-ad9d-2437fab4a256

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