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Autores
Orientador(es)
Resumo(s)
Mozart's and Da Ponte's Don Giovanni is widely considered the opera of operas and a milestone regarding the creation of the mythical hero who, even when death is imminent, has the coherence and courage to remain faithful to his principles and way of life, refusing the forgiveness offered him. Musicologists believe that the music inspired by Shadwell's play, namely from Purcell, Gluck and Pocok, paved the way for Don Giovanni. What has hitherto been ignored is the impact of Shadwell's play The Libertine on this opera and on the future directions that Don Juanism would take. This article examines this issue.
Descrição
Palavras-chave
Donjuanismo Ópera Teatro Libertinismo Drama Sátira
Contexto Educativo
Citação
Sequeira, Rosa Maria - O mito de Don Juan: do Sul para o Norte e do teatro para a ópera. In Rita, Annabela; Vila Maior, Dionísio, coord. - "Entre molduras [Em linha]: da metamorfose nas artes, nas letras, nas ciências. Lisboa: Esfera do Caos, 2016. ISBN 978-989-680-203-5. p. 287-297
Editora
Esfera do Caos
