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CIAC | Artigos em revistas internacionais / Papers in international journals

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http://hdl.handle.net/10400.2/6290

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Percorrer CIAC | Artigos em revistas internacionais / Papers in international journals por contribuidor "Olivero, Lucas Fabian"

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  • Narrative portals and augmented reality: activating empathy in creative projects
    Publication . Gouveia, Ana Raquel; Carvalho, Isabel Cristina; Maldonado, Paulo; Olivero, Lucas Fabian
    In an era marked by the increasing fragmentation of human relationships – where mechanisms of social and emotional connection often struggle to adapt to the acceleration of communicational technologies and digital ecosystems – Digital Media Art assumes a role of critical and sensitive mediation. The experimental and research-driven exploration of ways to reconfigure modes of being-with-others through technology fosters intersections between creative practices and other means, such as digital narrative and augmented reality, particularly given their immersive and interactive potential oriented toward ethical, social, and cultural concerns. These practices propose frameworks for listening, sharing and symbolic co-presence, where empathy is not conceived as a passive emotion, but as a relational process. This article offers a theoretical reflection on such frameworks, focusing on narrative portals activated through augmented reality, and analyses four contemporary international art projects (2021-2025) - Como Semillas en el Viento, Monumental Perspectives, Las Awichas and Augmented Landscapes of Empathy – which integrate technology and storytelling to cultivate affective and community-based connections. Through comparative analysis, this article aims to understand how these creative projects are situated within the field of Digital Media Art and how they configure spaces of relation and collective memory.
    2025Atas de conferência Acesso aberto Ver mais
  • The plasticity of generative artificial intelligence in materialized artistic practice: case study ‘in/visibilidades no feminine 2.0’
    Publication . Palma, Célia Fernandes; Carvalho, Isabel Cristina; Tavares, Mirian; Olivero, Lucas Fabian
    This article offers a critical examination of the convergence between art and technology, exploring how the generative plasticity of Artificial Intelligence reconfigures emerging artistic practices. It analyses the transformations introduced by Generative Artificial Intelligence, which metamorphoses modes of expression, production, and authorship while simultaneously enabling the subversion of hegemonic narratives and the emergence of new digital aesthetics. The analysis focuses on the materialisation of artistic artefacts through generative processes, with particular emphasis on the case study in/visibilidades no feminino 2.0, an experimental project that employs GenAI as a device for the symbolic recomposition of female identity, supported by ethnographic imagery and critical mediation strategies. The results demonstrate that GenAI can operate as an agent of co-authorship and interdisciplinary collaboration, fostering the reinscription of gendered subjectivities and opening space for new forms of representativity in contemporary art. Informed by Donna Haraway’s posthumanist perspective [1], this reflection problematises the relations between technology, hybridity, and identity construction, highlighting generative plasticity as a field of aesthetic experimentation and sociocultural transformation.
    2025Atas de conferência Acesso aberto Ver mais