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Resonant aesthetics: attention and synaesthesia in digital media art

datacite.subject.fosHumanidades::Artes
datacite.subject.fosCiências Sociais::Psicologia
datacite.subject.sdg04:Educação de Qualidade
dc.contributor.authorVeiga, Pedro Alves da
dc.contributor.editorCastilho, Luísa Correia
dc.contributor.editorDias, Rui Sampaio
dc.contributor.editorRocha, Luzia
dc.contributor.editorDias, António de Sousa
dc.date.accessioned2025-02-18T10:35:42Z
dc.date.available2025-02-18T10:35:42Z
dc.date.issued2024-10-18
dc.description.abstractThis article posits the creative exploration of the interconnections between image and sound, as well as the intricate interplay between aesthetics and poetics within the contemporary landscape of new digital artistic formats. To facilitate this exploration, it analyses the nuanced roles attributed to visual and sonic elements and their cognitive effect as attention grabbing mechanisms, in order to discern their mutual interferences and the consequential amplification of their artistic resonance. Moreover, it extends its purview beyond the visual and auditory domains, contemplating the ramifications for the broader spectrum of human senses. Through this analysis of aesthetic dimensions, including sensory experiences that transcend the Aristotelian realms of perception, it seeks to unravel the cognitive and communicational implications inherent in the synergistic employment of these media and the transformative potential encapsulated within the convergence of digital formats, unearthing the profound sensory, cognitive, and communicational impacts that resonate within the realms of art and human perception.eng
dc.identifier.citationVeiga, P.A. (2024). Resonant Aesthetics: Attention and Synaesthesia in Digital Media Art. In: Correia Castilho, L., Sampaio Dias, R., Rocha, L., de Sousa Dias, A. (eds) Perspectives on Music, Sound and Musicology II. Springer, Cham. https://doi.org/10.1007/978-3-031-67503-4_18
dc.identifier.doi10.1007/978-3-031-67503-4_18
dc.identifier.isbn978-3-031-67502-7
dc.identifier.urihttp://hdl.handle.net/10400.2/19580
dc.language.isoeng
dc.peerreviewedyes
dc.publisherSpringer
dc.relation.hasversionhttps://link.springer.com/chapter/10.1007/978-3-031-67503-4_18
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectMultisensoriality
dc.subjectSynaesthesia
dc.subjectMedia convergence
dc.subjectDigital art
dc.titleResonant aesthetics: attention and synaesthesia in digital media arteng
dc.typebook part
dspace.entity.typePublication
oaire.citation.edition1
oaire.citation.endPage315
oaire.citation.startPage303
oaire.citation.titlePerspectives on Music, Sound and Musicology II
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85
person.familyNameVeiga
person.givenNamePedro Alves da
person.identifier2279332
person.identifier.ciencia-id4E19-DA38-48BA
person.identifier.orcid0000-0001-9738-3869
person.identifier.ridU-1628-2017
person.identifier.scopus-author-id57200069759
relation.isAuthorOfPublicationc30ae50a-0e02-4630-b192-ccf1719e2683
relation.isAuthorOfPublication.latestForDiscoveryc30ae50a-0e02-4630-b192-ccf1719e2683

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