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Orientador(es)
Resumo(s)
The monograph presents a transmediatic architecture involving music and painting. The composition is inspired by a musical metaphor in which sounds are resonating all over
walls and arch of an imaginary Cathedral. Computer-generated animation and sounds, a soprano, a piano player and virtual choir simulate such environment in order to perform the Ode to Salvador Dalí's Christus Hypercubus.
The Ode dialogues with the notion of the fourth dimension transferring to the acoustic space a musical projection of the Tesseract or Hypercube. A diffused acoustic field with
fragments of sacred music invites the audience to explore meanings of the Catalan's masterpiece.
Descrição
Palavras-chave
Transmediatic architecture Christus Hypercubus Multimodal composition Mystical manifesto Multimodal opera Digital media art
Contexto Educativo
Citação
Manzolli, J., Mucheroni, M. (2018). "TRANSMEDIATIC ARCHITECTURE OF THE ODE TO CHRISTUS HYPERCUBUS", Monografia, Fernandes-Marcos, Adérito (Editor). Editions Artech-International in collaboration with Aberta University, Lisbon, Portugal, 2018. pp. 44. ISBN 978-989-54280-1-4.
Editora
Artech-International in collaboration with Aberta University