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O Modernismo e a consagração do supra-sujeito
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| 6.06 MB | Adobe PDF |
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Abstract(s)
O presente estudo pretende apresentar uma reflexão incidindo em algumas potencialidades informativas comprometidas com a perceção de alguns modernistas portugueses (sobretudo Fernando Pessoa e os seus heterónimos, Almada Negreiros e Mário de Sá-Carneiro) como autores que, de alguma forma, procuraram, pelo reduto poético e narrativo, uma determinada “plenitude”. Essa perceção encontra-se ligada à ideia de “sujeito com qualidades sublimadas”, que tem a audácia de querer uma determinada “totalidade”.
The present study intends to present a reflection focusing on some informative potentialities committed to the perception of some Portuguese modernists (especially Fernando Pessoa and his heteronyms, Almada Negreiros and Mário de Sá‑Carneiro) as authors who, in some way, sought, in the poetic’s and narrative’s register, a certain “fullness”. This perception is linked to the idea of “subject with sublimated qualities”, who has the audacity to want a certain “totality”.
The present study intends to present a reflection focusing on some informative potentialities committed to the perception of some Portuguese modernists (especially Fernando Pessoa and his heteronyms, Almada Negreiros and Mário de Sá‑Carneiro) as authors who, in some way, sought, in the poetic’s and narrative’s register, a certain “fullness”. This perception is linked to the idea of “subject with sublimated qualities”, who has the audacity to want a certain “totality”.
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Keywords
Fernando Pessoa Almada Negreiros Mário de Sá-Carneiro Genialidade Totalidade Genius Totality
Citation
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FFLCH/USP