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Gabriel del Barco y Minusca pintor (1648-1701): elementos para uma visão prosopográfica da Lisboa barroca

2018Book part Open access
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dc.contributor.authorFlor, Susana Varela
dc.contributor.authorFlor, Pedro
dc.date.accessioned2020-02-04T11:33:55Z
dc.date.available2020-02-04T11:33:55Z
dc.date.issued2018
dc.description.abstractPartindo da análise biográfica e artística do pintor espanhol Gabriel del Barco (1648-1701?), o presente texto tem como objectivo aprofundar a história entre Portugal e Espanha no período Barroco (séc. XVII), através das ligações à Corte de Madrid (intercâmbio de pintores e de famílias nobres), as inter-relações familiares (os Marqueses de Arronches, os Condes de Sabugal, os Condes de Palma, etc) e o culto religioso de Nossa Senhora da Atocha, gerador de dinamismo cultural peninsular. Baseados em dados documentais, relatos de diferentes fontes escritas, obras de arte existentes e referenciadas, procuraremos reconstituir o percurso de Gabriel del Barco em Portugal nos primeiros anos de carreira, aproveitando para caracterizar a sociedade (incluindo os artistas) da segunda metade do século XVII.pt_PT
dc.description.abstractThis text aims to deepen the history between Portugal and Spain in the Baroque period based on the biographical and artistic analysis of the Spanish painter Gabriel del Barco (1648-1701?). It will address the links established by the Portuguese with the Court of Madrid (ie painters and noble families). It will also take into account the family relationship between the two Iberian Crowns (the Marqueses de Arronches, the Counts of Sabugal, the Counts of Palma, etc.) and the religious cult of Our Lady of Atocha, a true generator of peninsular cultural dynamism. Based on new documentary data, reports from different written sources, existing and referenced works of art, we will try to trace Gabriel del Barco in Portugal in early stages of his career, and also to characterize the Portuguese society (including artists) of the second half of the seventeenth centurypt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.isbn978-84-09-07016-9
dc.identifier.urihttp://hdl.handle.net/10400.2/9165
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidad Pablo de Olavidept_PT
dc.subjectLisboapt_PT
dc.subjectPintura Barrocapt_PT
dc.subjectGabriel del Barco y Minuscapt_PT
dc.subjectAzulejospt_PT
dc.subjectRelações artísticas Portugal-Espanhapt_PT
dc.subjectLisbonpt_PT
dc.subjectBaroque paintingpt_PT
dc.subjectTilespt_PT
dc.subjectArtistic relations between Portugal and Spainpt_PT
dc.titleGabriel del Barco y Minusca pintor (1648-1701): elementos para uma visão prosopográfica da Lisboa barrocapt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceSevillapt_PT
oaire.citation.endPage287pt_PT
oaire.citation.startPage252pt_PT
oaire.citation.titleLa Sevilla Lusa: lLa presencia portuguesa en el Reino de Sevilla durante el Barrocopt_PT
person.familyNameFlor
person.familyNameFlor
person.givenNameSusana Varela
person.givenNamePedro
person.identifier.ciencia-idC218-A024-E72F
person.identifier.ciencia-id5816-4BCD-8CF5
person.identifier.orcid0000-0003-3799-8014
person.identifier.orcid0000-0002-1530-7465
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
relation.isAuthorOfPublication820d8528-42ac-4d35-ade4-f5896fb1dd9e
relation.isAuthorOfPublication4f5db14e-29c8-45bf-b3f2-914630c69881
relation.isAuthorOfPublication.latestForDiscovery4f5db14e-29c8-45bf-b3f2-914630c69881

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