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Dança e cultura: sentidos e significados sob uma perspectiva histórica
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Advisor(s)
Abstract(s)
A expectativa deste artigo é refletir sobre a dança como componente da cultura, tendo em vista determinados sentidos e significados construídos historicamente. Nas entrelinhas desta reflexão, o desafio é, inclusive, propor uma articulação com as temáticas: 1) a dança como expressão da cultura ou como denúncia desta; 2) a dança como confluência num diálogo interartes; e 3) a dança e as políticas culturais: do Ancien Régime (Antigo Regime) à sociedade das massas. A metodologia de acesso para esse exercício é uma pesquisa bibliográfica que nos permite um breve passeio histórico sobre a dança desde o período pré-histórico, sintetizando e costurando os aspectos, a meu ver, mais marcantes e determinantes no curso dos acontecimentos em direção à cultura no mundo ocidental. Tal passeio nos permite compreender a dança para além de uma atividade meramente física/motora, trata-se de um componente da cultura possuindo, mesmo, confluências com outras linguagens artísticas. Uma das constatações, parte da reflexão aqui pretendida, é que a dança é uma forma de «linguagem sincrética» que vem contando, revelando e desvelando a história, formas de sociedade e a cultura.
This paper aims at reflecting on dance as a component of culture in view of certain historically constructed meanings and senses. In the meantime, the challenge in this reflection is also to propose a connection with the topics: 1) Dance as an expression or as a denunciation of culture; 2) Dance as a confluence in an interart dialogue; and 3) Dance and Cultural Politics: From the Ancien Régime to the Mass Society. The methodology used for this exercise is bibliographical research. It allows us to take a brief historical look at dance since prehistoric times, to synthesize and to draw together what, in my opinion, are the most important and decisive aspects of the course of events towards a culture of the Western world. Such a journey allows us to understand dance not only as a purely physical/motor activity but also as a cultural compo-nent that even has its confluences with other artistic languages. One of the findings emerg-ing from this reflection is that dance is a form of "syncretic language" which tells, reveals and unveils history, forms of society and culture.
This paper aims at reflecting on dance as a component of culture in view of certain historically constructed meanings and senses. In the meantime, the challenge in this reflection is also to propose a connection with the topics: 1) Dance as an expression or as a denunciation of culture; 2) Dance as a confluence in an interart dialogue; and 3) Dance and Cultural Politics: From the Ancien Régime to the Mass Society. The methodology used for this exercise is bibliographical research. It allows us to take a brief historical look at dance since prehistoric times, to synthesize and to draw together what, in my opinion, are the most important and decisive aspects of the course of events towards a culture of the Western world. Such a journey allows us to understand dance not only as a purely physical/motor activity but also as a cultural compo-nent that even has its confluences with other artistic languages. One of the findings emerg-ing from this reflection is that dance is a form of "syncretic language" which tells, reveals and unveils history, forms of society and culture.
Description
Keywords
Dança Cultura Linguagem Interartes Dance Culture Language Interarts
Citation
Diniz, Isabel Cristina Vieira Coimbra - Dança e cultura: sentidos e significados sob uma perspectiva histórica. "e-LCV" [Em linha]. ISSN 2184-4097. Nº 10 (jan.-junho de 2023), p. 135-159
Publisher
Centro de Estudos Globais da Universidade Aberta (CEG/UAb) | Instituto Europeu de Ciências da Cultura Padre Manuel Antunes (IECCPMA) | Associação Internacional de Estudos Ibero-Eslavos (CompaRes)