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Publication
EssĂȘncia ou marginalidade da carta na narrativa fĂlmica de Manoel de Oliveira
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Advisor(s)
Abstract(s)
O presente projeto pretende evidenciar a importĂąncia que a carta tem na obra
cinematogrĂĄfica do realizador Manoel de Oliveira (1908- 2015), a partir do estudo
de um corpus de cinco dos seus filmes mais marcantes sob o ponto de vista
epistologrĂĄfico. Vamos comparar os diferentes tipos de cartas que surgem nesses
filmes, e questionar a sua influĂȘncia no espaço-tempo da narrativa fĂlmica.
ApĂłs convocar as caracterĂsticas discursivas do texto epistolar e partindo do
pressuposto de que Ă© um texto que, depois de retirado do envelope fechado,
espera ser desvendado, iremos mostrar como a carta, ao ser lida na narrativa
fĂlmica, implica a exibição desse sigilo a terceiros.
Adotando uma abordagem comparatista, evidenciamos os processos de
transcodificação da carta na narrativa fĂlmica, partindo do pressuposto da sua
dimensĂŁo relacional. Analisando os temas privilegiados e escamoteados e as
diversas tipologias epistolares presentes, focamo-nos num paradoxo do género
epistolar: por um lado, Ă© um ato privado entre dois pĂłlos, emissor e recetor; por
outro, no contexto da narrativa fĂlmica, as cartas privadas entram na esfera do
pĂșblico ao serem, tambĂ©m, reveladas ao espetador.
The purpose of this project is to emphasize the importance of the letter in the cinematographic work of director Manoel de Oliveira (1908-2015) by analysing of a corpus of five of his films, particularly significant from the epistolary point of view. We will compare the different types of letters present in those films, and determine the degree of its influence in the space-time of the film narrative. After summoning the discursive characteristics of the epistolary text, and assuming this is a text that, after being withdrawn from its sealed envelope, is expected to be unveiled, we will determine how the letter, when read within the film narrative, implies the disclosure of its secrecy to third parties. Adopting a comparative approach, we will make evident the transcoding processes of the letter into the film narrative, presupposing its relational dimension. Approaching the privileged and concealed themes as well as the several epistolary typologies present, we will focus on a paradox of the epistolary genre: on the one hand, it constitutes a private act between two poles, sender and receiver; on the other hand, in the context of the film narrative, private letters are made public, insofar as they are also revealed to the audience.
The purpose of this project is to emphasize the importance of the letter in the cinematographic work of director Manoel de Oliveira (1908-2015) by analysing of a corpus of five of his films, particularly significant from the epistolary point of view. We will compare the different types of letters present in those films, and determine the degree of its influence in the space-time of the film narrative. After summoning the discursive characteristics of the epistolary text, and assuming this is a text that, after being withdrawn from its sealed envelope, is expected to be unveiled, we will determine how the letter, when read within the film narrative, implies the disclosure of its secrecy to third parties. Adopting a comparative approach, we will make evident the transcoding processes of the letter into the film narrative, presupposing its relational dimension. Approaching the privileged and concealed themes as well as the several epistolary typologies present, we will focus on a paradox of the epistolary genre: on the one hand, it constitutes a private act between two poles, sender and receiver; on the other hand, in the context of the film narrative, private letters are made public, insofar as they are also revealed to the audience.
Description
Keywords
Manuel de Oliveira, 1908-2015 Cartas Narrativa fĂlmica Cinema Discurso epistolar Privado versus pĂșblico Letters Epistolary discourse Private versus Public Film narrative Manoel de Oliveira
Citation
Santos, Maria Teresa NegrĂŁo Ogando dos - EssĂȘncia ou marginalidade da carta na narrativa fĂlmica de Manoel de Oliveira [Em linha]. [S.l.]: [s.n.], 2018. 131 p.