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La femme-animal dans l’oeuvre de Graça Morais : une identification entre fragilité et puissance visionnaire

2024-12-31Journal article Open access
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datacite.subject.sdg04:Educação de Qualidadept_PT
dc.contributor.authorTschech, Christina
dc.date.accessioned2025-01-09T14:42:02Z
dc.date.available2025-01-09T14:42:02Z
dc.date.issued2024-12-31
dc.description.abstractLa femme-animal traverse l’oeuvre de Graça Morais depuis les années 80. Être hybride, à mi-chemin entre humain, animal, et parfois végétal ou surnaturel, elle semble dotée d’un pouvoir salvateur. Liée à la terre, garante de la mémoire, son pouvoir d’enfantement la rattache à l’avenir, lui conférant un don de prémonition. Graça Morais s’identifie souvent aux animaux de Trás-os-Montes, renforçant son lien avec sa terre natale. Cette femme-animal s’enracine dans le primitivisme surréaliste et l’anthropologie de Lévi-Strauss, actualisés par des artistes des années 60.pt_PT
dc.description.abstractThe woman-animal has been recurring in Graça Morais’ work since the 1980s. A hybrid being, part human, part animal, and sometimes vegetal or supernatural, she appears endowed with a salvific power. Connected to the earth and a guardian of memory, her power of creation ties her to the future, giving her a gift of premonition. Graça Morais often identifies with the animals of Trás-os-Montes, reinforcing her bond with her homeland. This woman-animal is rooted in surrealist primitiv-ism and the anthropology of Lévi-Strauss, up-dated by artists of the 1960s.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationTschech, Christina - La femme-animal dans l’oeuvre de Graça Morais : une identification entre fragilité et puissance visionnaire. "e-LCV" [Em linha]. ISSN 2184-4097. Nº 13 (julho-dez. 2024), p. 52-72pt_PT
dc.identifier.doihttps://doi.org/10.53943/ELCV.0224_52-72pt_PT
dc.identifier.issn2184-4097
dc.identifier.urihttp://hdl.handle.net/10400.2/17147
dc.language.isofrapt_PT
dc.peerreviewedyespt_PT
dc.publisherCentro de Estudos Globais da Universidade Aberta (CEG/UAb) | Instituto Europeu de Ciências da Cultura Padre Manuel Antunes (IECCPMA) | Associação Internacional de Estudos Ibero-Eslavos (CompaRes)pt_PT
dc.relation.publisherversionhttps://www.e-lcv.online/index.php/revista/article/view/323pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectFemme-animalpt_PT
dc.subjectHybridationpt_PT
dc.subjectVisionairept_PT
dc.subjectÉcoféminismept_PT
dc.subjectWoman-animalpt_PT
dc.subjectHybridizationpt_PT
dc.subjectVisionarypt_PT
dc.subjectEcofeminismpt_PT
dc.titleLa femme-animal dans l’oeuvre de Graça Morais : une identification entre fragilité et puissance visionnairept_PT
dc.title.alternativeThe woman-animal in the work of Graça Morais:an identification between fragility and visionary powerpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage72pt_PT
oaire.citation.startPage52pt_PT
oaire.citation.titlee-Letras com Vida — Revista de Estudos Globais: Humanidades, Ciências e Artes (e-LCV)pt_PT
person.familyNameTschech
person.givenNameChristina
person.identifier.orcid0009-0000-3793-4972
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication1eb9a872-a732-4ba8-b9cb-e5380d3a4d30
relation.isAuthorOfPublication.latestForDiscovery1eb9a872-a732-4ba8-b9cb-e5380d3a4d30

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