Name: | Description: | Size: | Format: | |
---|---|---|---|---|
112.21 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Quisemos homenagear, recordando, num ano em que se comemoraram as relações Portugal-Brasil (2013), o coreógrafo português que, uma vez estabelecido no Brasil, em agosto de 1979, se perdeu na forma adormecida das memórias que cada um guarda do seu legado. Procurámos lembrar a sua estadia naquele país, cunho que não terá passado despercebido na cidade de Curitiba, estado do Paraná, onde se estabeleceu. Tomou, como sede do seu trabalho, o Teatro Guaíra, dando um novo ímpeto a um grupo de bailarino(a)s que, até à data, integrava o Corpo de Baile da Fundação Teatro Guaíra, ajudando e apoiando o seu crescimento em número e em experiência, incutindo uma nova dinâmica e filosofia de trabalho, em que o rigor técnico não intimidou a interpretação artística de quem dançava.
We wanted to pay homage, recalling, in a year in which Portugal-Brazil relations (2013) were celebrated, the Portuguese choreographer who, once established in Brasil, in August 1979, lost himself in the dormant form of the memories that each guard of the your legacy. We tried to remember his stay in that country, which have not gone unnoticed in the city of Curitiba, state of Paraná, where he settled. The Guaíra Theater was the headquarters of his work, giving new impetus to a group of ballet dancers who, until then, were part of the Teatro Guaíra Foundation's Ballet, helping and supporting their growth in number and in experience, instilling a new dynamic and work philosophy, in which the technical rigor did not intimidate the artistic interpretation of those who danced.
We wanted to pay homage, recalling, in a year in which Portugal-Brazil relations (2013) were celebrated, the Portuguese choreographer who, once established in Brasil, in August 1979, lost himself in the dormant form of the memories that each guard of the your legacy. We tried to remember his stay in that country, which have not gone unnoticed in the city of Curitiba, state of Paraná, where he settled. The Guaíra Theater was the headquarters of his work, giving new impetus to a group of ballet dancers who, until then, were part of the Teatro Guaíra Foundation's Ballet, helping and supporting their growth in number and in experience, instilling a new dynamic and work philosophy, in which the technical rigor did not intimidate the artistic interpretation of those who danced.
Description
Keywords
Carlos Trincheiras Bailado Coreógrafo português O Grande Circo Místico Ballet Portuguese choreographer
Citation
Publisher
Conservatório - Escola Profissional das Artes da Madeira, Eng.º Luiz Peter Clode