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Authors
Advisor(s)
Abstract(s)
Quisemos  homenagear,  recordando,  num  ano  em  que  se  comemoraram  as  relações  Portugal-Brasil  (2013),  o  coreógrafo  português  que,  uma  vez  estabelecido  no  Brasil,  em  agosto  de  1979,  se  perdeu  na  forma  adormecida  das  memórias  que  cada  um  guarda  do  seu  legado.  Procurámos  lembrar  a  sua  estadia  naquele  país,  cunho  que  não  terá  passado despercebido na cidade de Curitiba, estado do Paraná, onde se estabeleceu. Tomou, como sede do seu trabalho, o Teatro Guaíra, dando um novo ímpeto a um grupo de bailarino(a)s que, até à data, integrava o Corpo de Baile da Fundação Teatro  Guaíra,  ajudando  e  apoiando  o  seu  crescimento  em  número  e  em  experiência,  incutindo  uma  nova  dinâmica  e  filosofia de trabalho, em que o rigor técnico não intimidou a interpretação artística de quem dançava.
We wanted to pay homage, recalling, in a year in which Portugal-Brazil relations (2013) were celebrated, the Portuguese choreographer who, once established in Brasil, in August 1979, lost himself in the dormant form of the memories that each guard of the your legacy. We tried to remember his stay in that country, which have not gone unnoticed in the city of Curitiba, state of Paraná, where he settled. The Guaíra Theater was the headquarters of his work, giving new impetus to a group of ballet dancers who, until then, were part of the Teatro Guaíra Foundation's Ballet, helping and supporting their growth in number and in experience, instilling a new dynamic and work philosophy, in which the technical rigor did not intimidate the artistic interpretation of those who danced.
We wanted to pay homage, recalling, in a year in which Portugal-Brazil relations (2013) were celebrated, the Portuguese choreographer who, once established in Brasil, in August 1979, lost himself in the dormant form of the memories that each guard of the your legacy. We tried to remember his stay in that country, which have not gone unnoticed in the city of Curitiba, state of Paraná, where he settled. The Guaíra Theater was the headquarters of his work, giving new impetus to a group of ballet dancers who, until then, were part of the Teatro Guaíra Foundation's Ballet, helping and supporting their growth in number and in experience, instilling a new dynamic and work philosophy, in which the technical rigor did not intimidate the artistic interpretation of those who danced.
Description
Keywords
 Carlos Trincheiras   Bailado   Coreógrafo português   O Grande Circo Místico   Ballet   Portuguese choreographer 
Pedagogical Context
Citation
Publisher
Conservatório - Escola Profissional das Artes da Madeira, Eng.º Luiz Peter Clode
