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O segredo: em torno do segredo: uma "viagem" dos contos de expressão e transmissão oral aos contos de Miguel Torga
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Advisor(s)
Abstract(s)
O presente estudo pretendeu conhecer o modo como o conceito de segredo é
abordado em diferentes textos da literatura portuguesa. O corpus do trabalho é
constituído por contos de expressão e transmissão oral e contos de um autor do
século XX, Miguel Torga.
Após reflectirmos sobre o conceito de segredo e apontarmos os aspectos
relevantes da sua esfera semântica, investigámos a forma como o mesmo é tratado
nos dois tipos de narrativas. Pudemos verificar que nos contos de expressão e transmissão oral, concretamente nos contos maravilhosos, o segredo está predominantemente
associado ao interdito e à transgressão, elementos essenciais à estruturação destas
narrativas e conducentes à aprendizagem e maturação do(s) herói(s).
Já nos contos de Torga a sua abordagem está ligada ao drama existencial do
ser humano e, nesse sentido, radica-se no indivíduo e nas questões relacionais com
que este se depara, tanto na esfera pessoal como interpessoal. Após este trabalho preliminar, procedemos a uma análise comparativa
global entre os dois tipos de narrativas em estudo, com vista a identificar ecos e
ressonâncias , ou a reconhecer dissemelhanças, estabelecendo pontes e/ ou
confrontos. O objectivo desta parte à qual chamámos síntese contrastiva foi, portanto, extrair ilações que nos permitissem concluir sobre fenómenos de
identidade e/ ou variação temática do segredo entre os dois tipos de textos
narrativos; uns enraízados na oralidade, produto de um fenómeno colectivo e
intertextual, os outros resultantes de um trabalho individual consagrado e
perfeitamente delimitado no tempo e no espaço.
Verificámos que, apesar das diferenças incontestáveis, também podemos
encontrar semelhanças, pois as narrativas de Torga conseguem actualizar noções e
valores presentes nos contos de expressão e transmissão oral.
The present research intends to explore the way the notion of secret is approached in several works within portuguese literature. The corpus of the thesis is mostly composed of oral expression and/ or transmission stories and stories by a 20th century author, Miguel Torga. Upon reflecting on the concept of secret and pointing out its semantics universe s most important features, we investigated the way it s handled on both narratives. We then came to verify that in oral transmitted stories and tales particularly the ones called contos maravilhosos (wondrous tales) the notion of secret is mainly attached to the ones of that which is forbidden and of violation, essential elements of these kinds of narrative, leading to the nurturing, learning process and maturing of the hero(es). The tales of Miguel Torga, on the other hand, deal mostly with the anguish of living of the human being and, in that regard, focuses on the individual and their relating issues whether personal or inter-personal. Once done with this preliminary study, we moved forward into a general comparative analysis between both narratives being worked here, so as to find echoes and rings or acknowledging differences, establishing bridges and/ or confrontations. The goal for this part which we named contrastive synthesis was to obtain deductions that would allow us to reach conclusions concerning identity phenomena and/ or theme variation of the secret on both kinds of narrative; whether deeply rooted in spoken tradition or resulting of an acknowledged individual work, absolutely marked out in time and space. We confirmed that, despite the many obvious differences, there s also place for similarities, since Torga s tales manage to update notions, values and concepts already presented on the oral transmitted and expressed ones.
The present research intends to explore the way the notion of secret is approached in several works within portuguese literature. The corpus of the thesis is mostly composed of oral expression and/ or transmission stories and stories by a 20th century author, Miguel Torga. Upon reflecting on the concept of secret and pointing out its semantics universe s most important features, we investigated the way it s handled on both narratives. We then came to verify that in oral transmitted stories and tales particularly the ones called contos maravilhosos (wondrous tales) the notion of secret is mainly attached to the ones of that which is forbidden and of violation, essential elements of these kinds of narrative, leading to the nurturing, learning process and maturing of the hero(es). The tales of Miguel Torga, on the other hand, deal mostly with the anguish of living of the human being and, in that regard, focuses on the individual and their relating issues whether personal or inter-personal. Once done with this preliminary study, we moved forward into a general comparative analysis between both narratives being worked here, so as to find echoes and rings or acknowledging differences, establishing bridges and/ or confrontations. The goal for this part which we named contrastive synthesis was to obtain deductions that would allow us to reach conclusions concerning identity phenomena and/ or theme variation of the secret on both kinds of narrative; whether deeply rooted in spoken tradition or resulting of an acknowledged individual work, absolutely marked out in time and space. We confirmed that, despite the many obvious differences, there s also place for similarities, since Torga s tales manage to update notions, values and concepts already presented on the oral transmitted and expressed ones.
Description
Keywords
Miguel Torga, pseud. Tradição oral Século XX Literatura portuguesa Conto Secret Tales of oral expression and transmission Forbidden Violation Bidden «Eros» «Thanatos» «Ego» Torga
Pedagogical Context
Citation
Fonseca, Dulce Maria Paulino da - O segredo [Em linha]: em torno do segredo: uma "viagem" dos contos de expressão e transmissão oral aos contos de Miguel Torga. [S.l.]: [s.n.], 2007. 2 vols.