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Abstract(s)
Graça Morais, artista de destaque na arte portuguesa, utiliza as suas criações para estabelecer um diálogo com a Literatura e explorar a identidade feminina e a metamorfose. Este artigo examina o modo como as suas imagens visuais inspiraram escritores como José Saramago e Miguel Torga e analisa a relação entre a sua obra e temas como o lugar de origem e a transformação. Com uma abordagem crítica, o texto visa revelar de que forma a artista utiliza a arte para refletir sobre a condição feminina e a iconografia de Trás-os-Montes, evidenciando a continuidade entre as suas obras e a narrativa literária
Graça Morais, a prominent artist in Portuguese art, uses her creations to establish a dialogue with Literature and explore female identity and metamorphosis. This article examines how her visual images have inspired writers such as José Saramago and Miguel Torga, and it analyzes the relationship between her work and themes such as the place of origin and transformation. With a critical approach, the text aims to reveal how the artist uses art to reflect on the female condition and the iconography of Trás-os-Montes, highlighting the continuity between her works and literary narrative.
Graça Morais, a prominent artist in Portuguese art, uses her creations to establish a dialogue with Literature and explore female identity and metamorphosis. This article examines how her visual images have inspired writers such as José Saramago and Miguel Torga, and it analyzes the relationship between her work and themes such as the place of origin and transformation. With a critical approach, the text aims to reveal how the artist uses art to reflect on the female condition and the iconography of Trás-os-Montes, highlighting the continuity between her works and literary narrative.
Description
Keywords
Literatura Identidade feminina Trás-os-Montes Metamorfose Literature Female identity Metamorphosis
Citation
Freitas, Helena de - Graça Morais: poderão as aldeias ser do tamanho do mundo?. "e-LCV" [Em linha]. ISSN 2184-4097. Nº 13 (julho-dez. 2024), p. 117-122
Publisher
Centro de Estudos Globais da Universidade Aberta (CEG/UAb) | Instituto Europeu de Ciências da Cultura Padre Manuel Antunes (IECCPMA) | Associação Internacional de Estudos Ibero-Eslavos (CompaRes)