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Do tangível ao figital: integração físico-digital e metodologia criativa na arte pós-digital contemporânea
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Advisor(s)
Abstract(s)
Este estudo visa apresentar a articulação entre uma proposta de taxonomia figital com a metodologia a/r/cográfica, oferecendo assim um quadro metodológico integrado para analisar e orientar práticas artísticas híbridas contemporâneas. Nos últimos anos, a criação artística contemporânea tem sido marcada pela fusão entre o tangível e o virtual, fenómeno designado por “figital”. Este conceito descreve como elementos físicos e digitais se interligam, redefinindo processos de produção, fruição e interação com a arte. A taxonomia figital, ora apresentada, permite mapear novos territórios híbridos e avaliar detalhadamente a simbiose entre o plano material, incluindo os aparatos tecnológicos, e o plano virtual ou digital, resultante da execução de código ou reprodução de média digitais. Por sua vez, a metodologia a/r/cográfica estrutura o processo criativo em três eixos essenciais: estética (cognição, emoções e sensações despertadas pela obra), aptidão (competências técnicas e concetuais evidenciadas) e função (impacto sociocultural e comunicativo da obra). A obra Texel2048Loom, desenvolvida neste âmbito pelo primeiro autor deste estudo, permite ilustrar a abordagem aqui proposta. Este texto evidencia ainda a necessidade de ajustes adicionais, particularmente nas dimensões éticas, culturais e multissensoriais, oferecendo contribuições claras para futuras investigações e práticas na arte pós-digital.
This study aims to present the articulation between a proposed phygital taxonomy and the a/r/cographic methodology, thereby offering an integrated methodological framework for analysing and guiding contemporary hybrid artistic practices. In recent years, contemporary artistic creation has been characterised by the fusion of the tangible and the virtual — a phenomenon referred to as "phygital". This concept describes the interconnection between physical and digital elements, which is redefining processes of production, appreciation, and interaction with art. The phygital taxonomy presented here enables the mapping of new hybrid territories. It facilitates a detailed evaluation of the symbiosis between the material dimension, including technological devices, and the virtual or digital dimension, resulting from the execution of code or the reproduction of digital media. The a/r/cographic methodology, in turn, structures the creative process around three essential axes: aesthetics (the cognition, emotions, and sensations elicited by the work), aptitude (the technical and conceptual skills demonstrated), and function (the socio-cultural and communicative impact of the work). The artwork Texel2048Loom, developed by the first author of this study, illustrates the proposed approach. This text also underscores the need for further refinement, particularly in ethical, cultural, and multisensory dimensions, offering clear contributions to future research and practice in post-digital art.
This study aims to present the articulation between a proposed phygital taxonomy and the a/r/cographic methodology, thereby offering an integrated methodological framework for analysing and guiding contemporary hybrid artistic practices. In recent years, contemporary artistic creation has been characterised by the fusion of the tangible and the virtual — a phenomenon referred to as "phygital". This concept describes the interconnection between physical and digital elements, which is redefining processes of production, appreciation, and interaction with art. The phygital taxonomy presented here enables the mapping of new hybrid territories. It facilitates a detailed evaluation of the symbiosis between the material dimension, including technological devices, and the virtual or digital dimension, resulting from the execution of code or the reproduction of digital media. The a/r/cographic methodology, in turn, structures the creative process around three essential axes: aesthetics (the cognition, emotions, and sensations elicited by the work), aptitude (the technical and conceptual skills demonstrated), and function (the socio-cultural and communicative impact of the work). The artwork Texel2048Loom, developed by the first author of this study, illustrates the proposed approach. This text also underscores the need for further refinement, particularly in ethical, cultural, and multisensory dimensions, offering clear contributions to future research and practice in post-digital art.
Description
Keywords
figital taxonomia figital tapeçarias de Portalegre a/r/cografia Phygital taxonomy a/r/cography Portalegre tapestries
Pedagogical Context
Citation
Caldeira, N., Veiga, P. A., & Cordeiro, J. (2025). Do Tangível ao Figital: Integração Físico-Digital e Metodologia Criativa na Arte Pós-Digital Contemporânea. Vista - Revista De Cultura Visual, (16), e025011. https://doi.org/10.21814/vista.6351
Publisher
Centro de Estudo de Comunicação e Sociedade do Instituto de Ciências Sociais da Universidade do Minho