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Figuração e sobrevida de Ricardo Reis em José Saramago e João Botelho
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Abstract(s)
No contexto da crescente valorização dos estudos interartes e da personagem, propõe-se uma
análise aos processos literário e cinematográfico de figuração e sobrevida da personagem de
Ricardo Reis implicados no romance O ano da morte de Ricardo Reis (1984), de José
Saramago, e no filme homónimo (2020), de João Botelho. No processo literário, é dado
destaque, através dos elementos narrativos relevantes, à intenção autoral como eixo da
figuração e ao que aqui se designa por relação entre continuidade e transformação enquanto
dinâmica estrutural da sobrevida romanesca. O processo cinematográfico é analisado no
quadro da transposição intermediática e da estética botelhiana, sendo privilegiada uma
abordagem comparatista que resgata o diálogo entre os três universos – Pessoa, Saramago,
Botelho. Apresenta-se o Ricardo Reis fílmico como produto do binómio luz–diálogo, aquela
sinédoque do primado da linguagem cinematográfica, este sinédoque do primado do texto.
In a context of growing interest in Interart and Character studies, this dissertation explores the literary and cinematic processes of figuration and afterlife of character implicated in the novel The year of the death of Ricardo Reis (1984), by José Saramago, and in the namesake movie (2020), by João Botelho. Based on the relevant narrative elements, the reading seeks to underline, in the literary process, the authorial intention as figuration’s axis, and what is hereby named as “relation between continuity and transformation” as the structural dynamics of the character’s afterlife. The cinematic process, framed by a theoretical look to adaptation and Botelho’s own aesthetical approach, is subject to a comparative study that seeks to illuminate the dialogue linking all three universes – Pessoa, Saramago, Botelho. It is put forward the hypothesis of the filmic Ricardo Reis being a product of the binomial “light– dialogue”, the former as synecdoche of the cinematic discourse primacy, the latter as synecdoche of the text primacy.
In a context of growing interest in Interart and Character studies, this dissertation explores the literary and cinematic processes of figuration and afterlife of character implicated in the novel The year of the death of Ricardo Reis (1984), by José Saramago, and in the namesake movie (2020), by João Botelho. Based on the relevant narrative elements, the reading seeks to underline, in the literary process, the authorial intention as figuration’s axis, and what is hereby named as “relation between continuity and transformation” as the structural dynamics of the character’s afterlife. The cinematic process, framed by a theoretical look to adaptation and Botelho’s own aesthetical approach, is subject to a comparative study that seeks to illuminate the dialogue linking all three universes – Pessoa, Saramago, Botelho. It is put forward the hypothesis of the filmic Ricardo Reis being a product of the binomial “light– dialogue”, the former as synecdoche of the cinematic discourse primacy, the latter as synecdoche of the text primacy.
Description
Keywords
Ricardo Reis José Saramago, 1922-2010 João Botelho, 1949- Figuração Sobrevida da personagem Figuration Afterlife of character
Citation
Gonçalves, Luís Carlos Pimenta - Figuração e sobrevida de Ricardo Reis em José Saramago e João Botelho [Em linha]. [S.l.]: [s.n.], 2023. 160 p.