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Publication
Entre a literatura e o cinema: do livro Cadernos de Nijinski: O Sentimento (1998) ao filme The Diaries of Vaslav Nijinsky (2002)
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Authors
Advisor(s)
Abstract(s)
Este trabalho tem por objetivo apresentar o estudo da obra literária Cadernos de
Nijinski: O Sentimento (1998), estabelecendo relações com a posterior obra fílmica The
Diaries of Vaslav Nijinsky (2001), de forma a melhor compreender algumas das
implicações manifestadas na passagem de uma narrativa literária para narrativa fílmica. O
fato de o filme ser baseado nos cadernos escritos pelo bailarino não representa sua total
dependência do livro, pois, apesar de as obras “dialogarem” entre si, elas repercutem, no
leitor e no espectador, uma variedade de impressões e sentimentos por muitas vezes
distintos.
Por outro lado, sendo a dança o ponto fulcral de ambas as obras, esta investigação
resultou no cruzamento de três formas de expressão artística que se interligam e fecundam
de forma evidente. Ao longo dos anos, a arte da dança foi expressa por várias pessoas de
diferentes maneiras. O seu encontro com o cinema foi muito prolífico, e este vínculo se
fortaleceu de tal forma que a cada ano novas produções são criadas ou até mesmo recriadas
renovando as diferentes dimensões desta parceria.
This work aims to present a study of the literary work Cadernos de Nijinski: O Sentimento (1998), establishing relationships with the subsequent film The Diaries of Vaslav Nijinsky (2001), to better understand some of the implications manifested in the passage of a literary narrative to a film narrative. The fact that the film is based on the notebooks written by the dancer does not represent total dependence on the book, since although the works "dialogue" with each other, they reverberate, in the reader and in the spectator, a variety of impressions and feelings, often distinct. On the other hand, with dance being the focal point of both works, this investigation resulted in the crossing of three forms of artistic expression that intertwine and fertilize in an evident way. Over the years, the art of dance has been expressed by many people in different ways. Its encounter with cinema was very prolific, and this bond was strengthened in such a way that every year new productions were created or even recreated renewing the different dimensions of this partnership
This work aims to present a study of the literary work Cadernos de Nijinski: O Sentimento (1998), establishing relationships with the subsequent film The Diaries of Vaslav Nijinsky (2001), to better understand some of the implications manifested in the passage of a literary narrative to a film narrative. The fact that the film is based on the notebooks written by the dancer does not represent total dependence on the book, since although the works "dialogue" with each other, they reverberate, in the reader and in the spectator, a variety of impressions and feelings, often distinct. On the other hand, with dance being the focal point of both works, this investigation resulted in the crossing of three forms of artistic expression that intertwine and fertilize in an evident way. Over the years, the art of dance has been expressed by many people in different ways. Its encounter with cinema was very prolific, and this bond was strengthened in such a way that every year new productions were created or even recreated renewing the different dimensions of this partnership
Description
Keywords
Nijinski, Vaslav, 1889-1950 Dança Filmes Literatura Imagens em movimento Estudos interartes Dance Film Literature Nijinsky Diaries Moving images Interarts
Citation
Fernandez, Mariane Barros - Entre a literatura e o cinema [Em linha]: do livro Cadernos de Nijinski: O Sentimento (1998) ao filme The Diaries of Vaslav Nijinsky (2002). [S.l.]: [s.n.], 2022. 65 p.