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Ao som dos fluxos da informação: processos de sonificação nas artes sonoras

dc.contributor.authorPaquete, Hugo
dc.contributor.authorBastos, Paulo Bernardino
dc.contributor.authorMarcos, Adérito
dc.date.accessioned2020-02-13T13:27:28Z
dc.date.available2020-02-13T13:27:28Z
dc.date.issued2019
dc.descriptionComunicação apresentada na "Conferência internacional de Cinema - Arte, Tecnologia, Comunicação", AVANCA | CINEMA 2019".pt_PT
dc.description.abstractThis essay tries to analyse the impact of the sonification processes in the sound arts, analysing their first and second order modes proposed by Scot Lancaster. This is achieved exploring the definition of their new production methodologies, philosophical implications and conceptual significance taking as examples artistic practical artworks analysed as speculative critical systems I, II, and III. It also explores the artistic trends that have been observed since 1990 in the post-digital aesthetics outside the aesthetics of failure. These artistic practices consist of generating art works based in the data-flows from geology, electromagnetism, nature, economics or other disciplines and practices to convert them into sound events originated outside the physic of sound as non-vibration forces. That is associated in my argument as data-event-sound with a new ontology. This allows a secondary ontology outside the forces that animate the understanding of sound as vibration. The sound is presented as translation of the data-information-flows establishing a relationship with the concept of appearance and form explored by Susanne Langer, opening the understanding of the work of art as a system of interdependent relations in the meta-medium of the digital-art. It generates new ways of understanding sound as mutation in which digital, biology, culture and spiritual establish interconnections between the computer as a digital domain in a landscape of code, promoting complex regimes of laminar-perception. These connections of meaning must be discussed in sound studies because they represent asymptomatic effects of the digital in life, art and the post-digital aesthetic momentum.pt_PT
dc.description.sponsorshipArtech-International Association (www.artech-international.org).pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationPaquete H., Bastos P. B, Marcos A. (2019) “Ao som dos fluxos da informação: processos de sonificação nas artes sonoras”, In Livro de Atas de AVANCA | CINEMA 2019, Conferência Internacional de Cinema - Arte, Tecnologia, Comunicação, (A.C. Valente, Ed.) Avanca, Portugal, 22-26 de julho de 2019, Capítulo I - Cinema | Arte, (pp. 1-10), ISSN: 2184-0520.pt_PT
dc.identifier.issn2184-0520
dc.identifier.urihttp://hdl.handle.net/10400.2/9270
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherAVANCA | CINEMA 2019pt_PT
dc.subjectArtes-sonoraspt_PT
dc.subjectSonificaçãopt_PT
dc.subjectData-Evento-Sonoropt_PT
dc.subjectPós-digitalpt_PT
dc.subjectTecnoculturapt_PT
dc.titleAo som dos fluxos da informação: processos de sonificação nas artes sonoraspt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceAvancapt_PT
oaire.citation.endPage10pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleAVANCA | CINEMA, Conferência Internacional, 2019pt_PT
person.familyNameRodrigues Paquete
person.familyNameBernardino Bastos
person.familyNameMarcos
person.givenNameHugo Filipe
person.givenNamePaulo
person.givenNameAdérito
person.identifierR-000-03D
person.identifier.ciencia-idC818-547A-287C
person.identifier.ciencia-id7414-B59C-05C8
person.identifier.ciencia-id0617-948A-BB8D
person.identifier.orcid0000-0002-5844-3678
person.identifier.orcid0000-0001-8883-9967
person.identifier.orcid0000-0002-9164-9686
person.identifier.scopus-author-id22980054100
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
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relation.isAuthorOfPublicationb8601a95-d2ae-44a9-b137-d5258287cedb
relation.isAuthorOfPublicationf734cd7c-b591-4398-833c-babb5f227a41
relation.isAuthorOfPublication.latestForDiscoveryf734cd7c-b591-4398-833c-babb5f227a41

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