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- A Europa (quase) toda em Coimbra: regra e hibridismo na produção escultórica de João de RuãoPublication . Craveiro, Maria de Lurdes; Gonçalves, Carla Alexandra; Antunes, JoanaEste volume, intitulado “A Europa (quase) toda em Coimbra. Regra e hibridismo na produção escultórica de João de Ruão”, recupera os temas abordados no colóquio, ocorrido em Abril de 2018, no Museu Nacional de Machado de Castro, e organizado pelo Grupo de Estudos Multidisciplinares em Arte (GEMA) do Centro de Estudos em Arqueologia, Artes e Ciências do Património (CEAACP-UC) da Universidade de Coimbra, em colaboração com o Instituto de História da Arte da FLUC e a École Pratique des Hautes Études (Sorbonne, PSL, équipe HISTARA 7347).
- The centre as margin: eccentric perspectives on artPublication . Antunes, Joana; Craveiro, Maria de Lurdes; Gonçalves, Carla AlexandraThe Centre as Margin. Eccentric Perspectives on Art is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.