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- Produção da informação dos media sonoros: desafios e entraves para a comunicação na pós-verdadePublication . Rocha, Rosimária; Bidarra, José; Saldanha, ÂngelaOs media sonoros atraem interesse na contemporaneidade por possibilitarem informação e entretenimento enquanto as pessoas conciliam a escuta com outras atividades. A economia de tempo é uma das prioridades da atual sociedade. No seguimento da informação, com a ampliação do acesso às notícias possibilitado pela internet, nota-se com o passar do tempo a produção e reprodução de notícias de fontes não fiáveis, o que gera, na maioria dos casos as fake news. Nesse sentido, o presente artigo reflete sobre a produção e os desafios para a comunicação na pós-verdade, traz um pequeno histórico sobre a evolução das interfaces na comunicação sonora, desde a invenção da Tecnologia sem fio, fascínio manifestado pela transmissão da voz humana e invenção da internet que proporcionou o surgimento dos audioblogs, estações de rádio online e plataformas de streaming musicais; o surgimento do Podcast e suas influências; a pós-verdade e os atuais entraves na produção da informação; por fim, expõe-se as considerações finais.
- Backyard sounds: an immersive sound experience in Almenara-Vale do Jequitinhonha, BrazilPublication . Rocha, Rosimária; Saldanha, Ângela; Bidarra, JoséThis article is a study on the immersive sound installation “Backyard Sounds”. The union of our artistic practice to theoretical research resulted on the birth of this project. One of the main objectives of “Backyard Sounds” was the consideration of the sounds of contemporaneity. Seeking to lead users to experience videos and sounds in a dark room, since sounds were only set off with the users’ approach,sounds of nature and those produced by humans were used intentionally to demonstrate the inherent paradoxes of contemporary life. This research consists of a study on the immersive sound installation “Backyard Sounds”. The authors approach the artistic process involved in its creation and the concepts, notions, and reflections related to the computational artifact. The sounds heard were reveries of the soundscapes (concept of sounds of nature and others produced by humans), and it was intended to bring users the extreme paradoxes of contemporary life.
- Assum livre performance: a live environment for cyberperformancePublication . Sapucaia, Rosimária; Bidarra, José; Saldanha, ÂngelaThe performance “Assum Livre” integrates a sequence of artefacts fisrtly presented for the PhD Thesis “Backyard of Sounds: A path to sound immersion”. It was recently recreated in a cyberspace event, thus its transcription to cyberperformance. It consists of an artistic proposal that seeks to reflect on freedom/imprisonment, evoking a metaphor that recreates the experience of the lockdown periods in 2020/2021. The performance is based on the streaming of a video recorded with the author/singer performing part of the song “Assum Preto” (Teixeira and Gonzaga, 1950), simultaneously with the live performance of the other stanzas of the song. These alternate with the presentation of the lyrics, and the materialization of the performer. As backdrop we have a natural scenery as a projection of “freedom”, depicting the natural habitat threatened by human intervention, enhanced by the natural soundscapes and integrating the hybridization of image / sound / live performance. The main concepts, the description of the artefact, and the developments made are discussed.