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Browsing Arte | Livros / Books by Author "Gonçalves, Carla Alexandra"
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- Gaspar Coelho, um escultor do ManeirismoPublication . Gonçalves, Carla AlexandraÉ o percurso de uma vida com obra que agora se ressuscita, conservando o derradeiro testemunho lavrado em Fevereiro de 1605 que arrolou a morte de Gaspar Coelho, maginario e mestre que foi desta arte principal nestes tempos neste Reyno... Numa época em que a pintura ganhava o merecido lugar de destaque no seio das artes plásticas, tributando como uma produção intelectual e virtuosa e emparceirando definitivamente com as demais artes liberais, surge a obra escultórica e de sensamblamento de Gaspar Coelho que, com o arrojo de um grande mestre, eleva a escultura ao mesmo patamar de garantias de mérito. O perdurante génio deste artista desenvolve-se nos rupturais desenhos de arquitectura retabular e no toque incomum do seu escopro que rasgou a madeira pleno de firmeza e de autonomia. Os anos que o escultor viveu em Espanha contagiaram-no com a pesquisa das fontes teóricas, da iconografia e do ornato europeus, versaram-no no desenho e comunicaram-lhe o espírito de liberalidade e de rebeldia que fizeram dele, no regresso a Portugal, um dos mais respeitáveis vultos da escultura na viragem da centúria de Quinhentos. Os retábulos de Gaspar Coelho são, ainda hoje, verdadeiros palcos onde o desenrolar do espectáculo atinge um lugar de máxima expressão...
- The centre as margin: eccentric perspectives on artPublication . Antunes, Joana; Craveiro, Maria de Lurdes; Gonçalves, Carla AlexandraThe Centre as Margin. Eccentric Perspectives on Art is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.