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Narrative portals and augmented reality: activating empathy in creative projects

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datacite.subject.fosHumanidades::Artes
datacite.subject.sdg10:Reduzir as Desigualdades
dc.contributor.authorGouveia, Ana Raquel
dc.contributor.authorCarvalho, Isabel Cristina
dc.contributor.authorMaldonado, Paulo
dc.contributor.editorOlivero, Lucas Fabian
dc.date.accessioned2026-02-27T14:02:50Z
dc.date.available2026-02-27T14:02:50Z
dc.date.issued2025
dc.description.abstractIn an era marked by the increasing fragmentation of human relationships – where mechanisms of social and emotional connection often struggle to adapt to the acceleration of communicational technologies and digital ecosystems – Digital Media Art assumes a role of critical and sensitive mediation. The experimental and research-driven exploration of ways to reconfigure modes of being-with-others through technology fosters intersections between creative practices and other means, such as digital narrative and augmented reality, particularly given their immersive and interactive potential oriented toward ethical, social, and cultural concerns. These practices propose frameworks for listening, sharing and symbolic co-presence, where empathy is not conceived as a passive emotion, but as a relational process. This article offers a theoretical reflection on such frameworks, focusing on narrative portals activated through augmented reality, and analyses four contemporary international art projects (2021-2025) - Como Semillas en el Viento, Monumental Perspectives, Las Awichas and Augmented Landscapes of Empathy – which integrate technology and storytelling to cultivate affective and community-based connections. Through comparative analysis, this article aims to understand how these creative projects are situated within the field of Digital Media Art and how they configure spaces of relation and collective memory.eng
dc.description.sponsorshipThis work was financed by Portuguese national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., in the framework of project UID/04019/2025
dc.identifier.citationGouveia, A. R., Carvalho, I.C., & Maldonado, P. (2025). Narrative Portals and Augmented Reality: Activating empathy in creative projects. In 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025), November 26–28, 2025, Braga, Portugal. ACM, New York, NY, USA, 8 pages. https://doi.org/10.1145/3773699.3773961
dc.identifier.doi10.1145/3773699.3773961
dc.identifier.urihttp://hdl.handle.net/10400.2/21568
dc.language.isoeng
dc.peerreviewedyes
dc.publisherAssociation for Computing Machinery (ACM)
dc.relationResearch Centre for Arts and Communication
dc.relation.hasversionhttps://camps.aptaracorp.com//ACM_PMS/PMS/ACM/ARTECH2025/49/717562a2-0101-11f1-aa9c-16ffd757ba29/OUT/artech2025-49.pdf
dc.relation.ispartofseriesProceedings of the Artech Conference Series
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectDigital Media Arts
dc.subjectAugmented Reality
dc.subjectDigital Narrative
dc.subjectEmpathy
dc.subjectCommunity Engagement
dc.titleNarrative portals and augmented reality: activating empathy in creative projectseng
dc.typeconference proceedings
dspace.entity.typePublication
oaire.awardNumberUID/04019/2025
oaire.awardTitleResearch Centre for Arts and Communication
oaire.awardURIhttp://hdl.handle.net/10400.2/21567
oaire.citation.conferenceDate2025
oaire.citation.conferencePlaceBraga
oaire.citation.endPage8
oaire.citation.startPage1
oaire.citation.title12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025). Proceedings
oaire.fundingStreamAvaliação UID 2023/2024
oaire.versionhttp://purl.org/coar/version/c_fa2ee174bc00049f
person.familyNameCarvalho
person.givenNameIsabel Cristina
person.identifier.ciencia-idB518-C55C-BFBF
person.identifier.orcid0000-0002-0499-7464
relation.isAuthorOfPublication7d37c528-147e-4c85-8ae4-19599ef4a86d
relation.isAuthorOfPublication.latestForDiscovery7d37c528-147e-4c85-8ae4-19599ef4a86d
relation.isProjectOfPublication3f5b1c63-6b6a-4594-8401-ef7e3778cced
relation.isProjectOfPublication.latestForDiscovery3f5b1c63-6b6a-4594-8401-ef7e3778cced

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In an era marked by the increasing fragmentation of human relationships – where mechanisms of social and emotional connection often struggle to adapt to the acceleration of communicational technologies and digital ecosystems – Digital Media Art assumes a role of critical and sensitive mediation. The experimental and research-driven exploration of ways to reconfigure modes of being-with-others through technology fosters intersections between creative practices and other means, such as digital narrative and augmented reality, particularly given their immersive and interactive potential oriented toward ethical, social, and cultural concerns. These practices propose frameworks for listening, sharing and symbolic co-presence, where empathy is not conceived as a passive emotion, but as a relational process. This article offers a theoretical reflection on such frameworks, focusing on narrative portals activated through augmented reality, and analyses four contemporary international art projects (2021-2025) - Como Semillas en el Viento, Monumental Perspectives, Las Awichas and Augmented Landscapes of Empathy – which integrate technology and storytelling to cultivate affective and community-based connections. Through comparative analysis, this article aims to understand how these creative projects are situated within the field of Digital Media Art and how they configure spaces of relation and collective memory.
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CIAC | Artigos em revistas internacionais / Papers in international journals