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The plasticity of generative artificial intelligence in materialized artistic practice: case study ‘in/visibilidades no feminine 2.0’

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datacite.subject.fosHumanidades::Artes
datacite.subject.sdg05:Igualdade de Género
dc.contributor.authorPalma, Célia Fernandes
dc.contributor.authorCarvalho, Isabel Cristina
dc.contributor.authorTavares, Mirian
dc.contributor.editorOlivero, Lucas Fabian
dc.date.accessioned2026-02-27T14:06:14Z
dc.date.available2026-02-27T14:06:14Z
dc.date.issued2025
dc.description.abstractThis article offers a critical examination of the convergence between art and technology, exploring how the generative plasticity of Artificial Intelligence reconfigures emerging artistic practices. It analyses the transformations introduced by Generative Artificial Intelligence, which metamorphoses modes of expression, production, and authorship while simultaneously enabling the subversion of hegemonic narratives and the emergence of new digital aesthetics. The analysis focuses on the materialisation of artistic artefacts through generative processes, with particular emphasis on the case study in/visibilidades no feminino 2.0, an experimental project that employs GenAI as a device for the symbolic recomposition of female identity, supported by ethnographic imagery and critical mediation strategies. The results demonstrate that GenAI can operate as an agent of co-authorship and interdisciplinary collaboration, fostering the reinscription of gendered subjectivities and opening space for new forms of representativity in contemporary art. Informed by Donna Haraway’s posthumanist perspective [1], this reflection problematises the relations between technology, hybridity, and identity construction, highlighting generative plasticity as a field of aesthetic experimentation and sociocultural transformation.eng
dc.identifier.citationPalma, C. F., Carvalho, I. C., & Tavares, M. N. (2025). The Plasticity of Generative Artificial Intelligence in Materialized Artistic Practice. Case Study ‘in/visibilidades no feminine 2.0’. In 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025), November 26–28, 2025, Braga, Portugal. ACM, New York, NY, USA, 9 pages. https://doi.org/10.1145/3773699.3773718
dc.identifier.doi10.1145/3773699.3773718
dc.identifier.isbn979-8-4007-2001-7/2025/11
dc.identifier.urihttp://hdl.handle.net/10400.2/21569
dc.language.isoeng
dc.peerreviewedyes
dc.publisherAssociation for Computing Machinery (ACM)
dc.relation.hasversionhttps://camps.aptaracorp.com//ACM_PMS/PMS/ACM/ARTECH2025/19/1fdfb4b7-b439-11f0-957d-16ffd757ba29/OUT/artech2025-19.pdf
dc.relation.ispartofseriesProceedings of the Artech Conference Series
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectDigital Media Art
dc.subjectGenerative Plasticity
dc.subjectArtivism
dc.subjectImagetic Ethnography
dc.subjectFemale Identity
dc.titleThe plasticity of generative artificial intelligence in materialized artistic practice: case study ‘in/visibilidades no feminine 2.0’eng
dc.typeconference proceedings
dspace.entity.typePublication
oaire.citation.conferenceDate2025-11-26
oaire.citation.conferencePlaceBraga
oaire.citation.endPage9
oaire.citation.startPage1
oaire.citation.title12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025). Proceedings
oaire.versionhttp://purl.org/coar/version/c_fa2ee174bc00049f
person.familyNameCarvalho
person.familyNameTavares
person.givenNameIsabel Cristina
person.givenNameMirian
person.identifier.ciencia-idB518-C55C-BFBF
person.identifier.ciencia-id5410-5E1F-7E7E
person.identifier.orcid0000-0002-0499-7464
person.identifier.orcid0000-0002-9622-6527
relation.isAuthorOfPublication7d37c528-147e-4c85-8ae4-19599ef4a86d
relation.isAuthorOfPublicationf5aea7c6-06f5-4d79-bf14-6a9c058572bd
relation.isAuthorOfPublication.latestForDiscovery7d37c528-147e-4c85-8ae4-19599ef4a86d

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This article offers a critical examination of the convergence between art and technology, exploring how the generative plasticity of Artificial Intelligence reconfigures emerging artistic practices. It analyses the transformations introduced by Generative Artificial Intelligence, which metamorphoses modes of expression, production, and authorship while simultaneously enabling the subversion of hegemonic narratives and the emergence of new digital aesthetics. The analysis focuses on the materialisation of artistic artefacts through generative processes, with particular emphasis on the case study in/visibilidades no feminino 2.0, an experimental project that employs GenAI as a device for the symbolic recomposition of female identity, supported by ethnographic imagery and critical mediation strategies. The results demonstrate that GenAI can operate as an agent of co-authorship and interdisciplinary collaboration, fostering the reinscription of gendered subjectivities and opening space for new forms of representativity in contemporary art. Informed by Donna Haraway’s posthumanist perspective [1], this reflection problematises the relations between technology, hybridity, and identity construction, highlighting generative plasticity as a field of aesthetic experimentation and sociocultural transformation.
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