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Publication
Do manicómio para o museu: arte bruta em Portugal
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Abstract(s)
Esta dissertação pretende contribuir para o levantamento e avaliação da produção, difusão e perceção pública da Arte Bruta. Utilizando como campo de pesquisa a realidade portuguesa, pretendeu-se cruzar as práticas de diversas instituições comprometidas com a Arte Bruta com os fundamentos teóricos que estão na origem do conceito.
O entusiasmo gerado pela descoberta das primeiras manifestações de Arte Bruta portuguesa, em meados dos anos 1970, parece ter sido retomado no século XXI, através da criação de um importante núcleo museológico consagrado à Arte Bruta e Arte Singular — a Coleção Treger Saint Silvestre, sediada em São João da Madeira, desde 2014 — mas, também, de projetos que aproximam a Arte Bruta à sociedade, com relevância para o projeto Manicómio, definido pelos seus mentores como o primeiro espaço de criação e inovação de Arte Bruta em Portugal. Através das evidências empíricas, encontradas e analisadas no discurso e nas práticas de artistas, mediadores, colecionadores e divulgadores, esta investigação visa contribuir para a massa crítica conducente à perceção da dinâmica e impacto sociocultural da Arte Bruta em Portugal.
This dissertation aims to contribute to the survey and evaluation of the production, dissemination, and public perception of Outsider Art. Using the Portuguese reality as a research field, the intention was to intersect the practices of various institutions committed to Outsider Art with the theoretical foundations that underlie the concept. The enthusiasm generated by the discovery of the first manifestations of Portuguese Outsider Art in the mid-1970s seems to have been revived in the 21st century, through the creation of an important museum nucleus dedicated to Outsider Art and Singular Art — the Treger Saint Silvestre Collection, located in São João da Madeira since 2014 — but also through projects that bring Outsider Art closer to society, notably the Manicómio project, defined by its creators as the first space for creation and innovation of Outsider Art in Portugal. Through empirical evidence found and analyzed in the discourse and practices of artists, mediators, collectors, and promoters, this research aims to contribute to the critical mass leading to the perception of the socio-cultural dynamics and impact of Outsider Art in Portugal.
This dissertation aims to contribute to the survey and evaluation of the production, dissemination, and public perception of Outsider Art. Using the Portuguese reality as a research field, the intention was to intersect the practices of various institutions committed to Outsider Art with the theoretical foundations that underlie the concept. The enthusiasm generated by the discovery of the first manifestations of Portuguese Outsider Art in the mid-1970s seems to have been revived in the 21st century, through the creation of an important museum nucleus dedicated to Outsider Art and Singular Art — the Treger Saint Silvestre Collection, located in São João da Madeira since 2014 — but also through projects that bring Outsider Art closer to society, notably the Manicómio project, defined by its creators as the first space for creation and innovation of Outsider Art in Portugal. Through empirical evidence found and analyzed in the discourse and practices of artists, mediators, collectors, and promoters, this research aims to contribute to the critical mass leading to the perception of the socio-cultural dynamics and impact of Outsider Art in Portugal.
Description
Keywords
Arte bruta Artificação Arte Terapia Manicómio Coleção Treger Saint Silvestre Outsider art Artification Art therapy Treger Saint Silvestre Collection
Citation
Silva, José António Ribeiro da - Do manicómio para o museu [Em linha]: arte bruta em Portugal. [S.l.]: [s.n.], 2024. 207 p.