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Fazer falar o silêncio: Paterson de Jim Jarmusch: uma tradução de Paterson de W. C. Williams
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Abstract(s)
Esta dissertação tem como objetivo evidenciar o conceito de silêncio que percorre o filme Paterson (2016) de Jim Jarmusch. A comparação com a obra de Williams servirá inevitavelmente para encontrar pontos de ligação entre as obras e sobretudo, pontos que apoiem a finalidade do estudo proposto. Divide-se em quatro partes: Teoria (que se encontra subdividida em quatro temas); Silêncio (com destaque para a composição da
tipologia de silêncios que irão ecoar no filme); Paterson de Jim Jarmusch (destinado à importância dos elementos cinematográficos que corroboram a tese); Fazer Falar o Silêncio (capítulo essencial, pois é neste capítulo que irei apontar os elementos fílmicos responsáveis pela definição da tipologia de silêncios, assim como a sua aplicação); Conclusão. O corpus do trabalho é constituído por: Paterson (filme) e Paterson (obra
literária). Estes foram escolhidos pelas semelhanças no que se refere à presença do motivo “silêncio” que se encontra presente nas obras dos dois autores. Foi também tida em conta a variedade de contextos, tempos e motivações que separam as obras, abrindo assim a possibilidade de pensar esta discussão num contexto mais alargado que inclui outros textos, outras formas de fazer arte. Este trabalho toma também em consideração a
realidade atual e o estado da arte, incorporando questões que se mantêm apesar de o tratamento do tema remontar aos primórdios da reflexão sobre ele.
This thesis aims to highlight the concept of silence that runs through Jim Jarmusch’s film Paterson (2016). The comparison with Williams' work will inevitably serve to find points of connection between the works and, above all, points that support the purpose of the proposed study. It is divided into four chapters: Theory (which is subdivided into four themes); Silence (with emphasis on the composition of the typology of silences that will be sung in the film); Paterson by Jim Jarmusch (aiming at the importance of the cinematic elements that support the thesis); Making Silence Speak (essential chapter, as it is in this chapter that I will point out the filmic elements responsible for defining the typology of silences, as well as its application); Conclusion. The corpus of the work is made up of: Paterson (film) and Paterson (literature). These were chosen due to the similarities in terms of the presence of the silence motif that is present in the works of the three authors. The variety of contexts, times and motivations that separate the works were also considered, opening thus the possibility of thinking about this discussion in a broader context that includes other texts, other ways of making art. This work also takes into consideration the current reality and the state of the art, incorporating issues that remain despite the treatment of the topic dating back to the beginning of the reflection about it.
This thesis aims to highlight the concept of silence that runs through Jim Jarmusch’s film Paterson (2016). The comparison with Williams' work will inevitably serve to find points of connection between the works and, above all, points that support the purpose of the proposed study. It is divided into four chapters: Theory (which is subdivided into four themes); Silence (with emphasis on the composition of the typology of silences that will be sung in the film); Paterson by Jim Jarmusch (aiming at the importance of the cinematic elements that support the thesis); Making Silence Speak (essential chapter, as it is in this chapter that I will point out the filmic elements responsible for defining the typology of silences, as well as its application); Conclusion. The corpus of the work is made up of: Paterson (film) and Paterson (literature). These were chosen due to the similarities in terms of the presence of the silence motif that is present in the works of the three authors. The variety of contexts, times and motivations that separate the works were also considered, opening thus the possibility of thinking about this discussion in a broader context that includes other texts, other ways of making art. This work also takes into consideration the current reality and the state of the art, incorporating issues that remain despite the treatment of the topic dating back to the beginning of the reflection about it.
Description
Keywords
Silêncio Cinema Literatura Pintura Ideia Silence Movie Literature Painting Ideas
Citation
Silvestre, Daniel José da Silva - Fazer falar o silêncio [Em linha]: Paterson de Jim Jarmusch: uma tradução de Paterson de W. C. Williams. [S.l.]: [s.n.], 2024. 133 p.