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Este artigo analisa a presença de Camões na obra de José Saramago, recuperando exemplos da poesia, do teatro, da crônica e do romance. Parte-se de uma conferência de Jorge Luis Borges sobre Camões para aprofundar a reflexão sobre os tributos literários de leitores-escritores e para situar Saramago nessa rede de leituras. A análise de episódios, figuras e versos camonianos em diferentes obras do Nobel português permite enfatizar a dimensão intertextual e crítica desse diálogo, mostrando que a recuperação de Camões por Saramago não implica uma adesão acrítica ao cânone, mas constitui uma apropriação recriadora que expõe tensões diversas, como aquelas relacionadas com a recepção da obra e do autor d’Os Lusíadas. Nesse sentido, desenvolve-se o argumento de que, em certa medida, Saramago responde à pergunta final colocada em Que farei com este livro?. Por fim, propõe-se uma leitura da crônica “A cidade” à luz desta mesma peça, explorando as aproximações possíveis entre as duas narrativas e o modo como permitem pensar o reconhecimento autoral e a inscrição de Camões e, adicionalmente, do próprio Saramago na tradição literária portuguesa.
This article examines the presence of Camões in the work of José Saramago, drawing on examples from poetry, theater, chronicles, and novels. A lecture by Jorge Luis Borges on Camões is revisited in order to deepen the reflection on the literary tributes paid by readerwriters and to situate Saramago within this network of readings. The analysis of episodes, figures, and verses from Camões in various works by the Portuguese Nobel laureate highlights the intertextual and critical dimensions of this dialogue. The article shows that Saramago’s engagement with Camões does not imply an uncritical adherence to the canon, but rather constitutes a creative appropriation that exposes different tensions, such as those related to the reception of the work and of the author of The Lusiads. In this sense, the article argues that, to a certain extent, Saramago answers the final question posed to the audience in Que farei com este livro? (What will I do with this book?). Finally, it proposes a reading of the chronicle “A cidade” (“The City”) in light of the same play, exploring the possible connections between the two narratives and the ways in which they invite us to consider authorial recognition and the inscription of Camões and, additionally, of Saramago himself within the Portuguese literary tradition.
This article examines the presence of Camões in the work of José Saramago, drawing on examples from poetry, theater, chronicles, and novels. A lecture by Jorge Luis Borges on Camões is revisited in order to deepen the reflection on the literary tributes paid by readerwriters and to situate Saramago within this network of readings. The analysis of episodes, figures, and verses from Camões in various works by the Portuguese Nobel laureate highlights the intertextual and critical dimensions of this dialogue. The article shows that Saramago’s engagement with Camões does not imply an uncritical adherence to the canon, but rather constitutes a creative appropriation that exposes different tensions, such as those related to the reception of the work and of the author of The Lusiads. In this sense, the article argues that, to a certain extent, Saramago answers the final question posed to the audience in Que farei com este livro? (What will I do with this book?). Finally, it proposes a reading of the chronicle “A cidade” (“The City”) in light of the same play, exploring the possible connections between the two narratives and the ways in which they invite us to consider authorial recognition and the inscription of Camões and, additionally, of Saramago himself within the Portuguese literary tradition.
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José Saramago, 1922-2010 Luís de Camões, 1524-1580 Jorge Luis Borges, 1899-1986 Intertextualidade Literatura portuguesa Literary tributes Intertextuality Literary tributes Intertextuality