Unidade ID+ (Instituto de Investigação em Design, Media e Cultura)

Funder

Organizational Unit

Publications

Radiação obscura: fluxos energéticos sonificados no limiar da experiência sonora

Publication . Paquete, Hugo; Bastos, Paulo Bernardino; Marcos, Adérito

This essay analyse the impact of the sonification processes in the sound arts. This is achieved exploring the definition of their production methodologies, philosophical implications and conceptual significance taking as examples my artistic experiments with sonification of light and electromagnetic fields explored in my projects that are presented in this analyses. The sonification as an artistic practice consist of generating art works based in the data-flows. Originated a sound event outside the physic of sound as non-vibration force. That is associated in my argument as data-event-sound connected with a new ontology outside the forces that animate the understanding of sound as vibration. Opening the understanding of the work of art as a system of interdependent relations in digital-art. Generating new ways of understanding sound as mutation in which digital, culture and spiritual establish interconnections between the computer as a digital domain in a landscape of code, promoting complex regimes of laminar-perception.

2020-07Conference object

Open access

Velocidade terminal: tempo cronoscópico dos corpos orbitais na composição sonora e musical

Publication . Paquete, Hugo; Bastos, Paulo Bernardino; Marcos, Adérito

This essay presents the construction processes, methodologies, meanings and challenges in the construction of the Dromology of Orbital Bodies project of my own developed between 2019-2020 and which is still ongoing. The project aims to track military and commercial satellites by converting that information in real time by sonicating the date received from the hacked satellite. Therefore, this essay presents the technical challenges in the habit of building the conditions of the project as well as some of the results obtained. Also presenting the dimension of meanings associated with the project from a philosophical and critical point of view, in a combination of conceptual reflection and project exploration where concepts such as chronoscopic time, cyberpunk, and gray colony and acoustemology are related as a reading of a time where the sonorous happens mediated by technology. These concepts influence the production, composition and musical performance processes that I develop with special interest in systems where unpredictability operates alongside real-time relationships and systems, using granularisation and a sound and compositional aesthetic historically informed in noise and micro. post-digital rhythmic.

2020-07Conference object

Open access