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CIAC | Artigos em revistas internacionais / Papers in international journals

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http://hdl.handle.net/10400.2/6290

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Percorrer CIAC | Artigos em revistas internacionais / Papers in international journals por Objetivos de Desenvolvimento Sustentável (ODS) "05:Igualdade de Género"

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  • Critical spatial thinking in women's resilience for an inclusive city
    Publication . Carvalho, Isabel Cristina
    Gender continues to affect how urban spaces are perceived and experienced. Girls and women continue to experience sexual harassment, feel unsafe and conditioned as they live and move in urban environments. Reinforcing the concept "Right to the City" of Henri Lefebvre (1991) and David Harvey (2008), this paper aims to explore the need to promote critical spatial thinking to demystify gender stereotypes, leading to the exercise of active citizenship, able to participate and contribute to the (re)design of an inclusive city. People are social products whose values and beliefs are shaped by society, often perpetuating social practices and norms that promote gender inequalities. It is crucial to enable and encourage critical spatial thinking about women's environment to understand and recognise existing limitations and constraints. The desire for change begins with awareness of the situation in which we live. Several authors refer to critical thinking as fundamental to the empowerment process, pointing out that by exercising critical reflection on the situation, women challenge gender inequality. The exercise of critical spatial thinking also highlights the need for new communication processes that recognise and enhance the importance of showing and share individual perspectives in the use of urban spaces. It will enrich a more active collective voice, increase civic participation necessary to build safer and gender-equal spaces in urban life.
    2021-12-20Artigo científico Acesso aberto Ver mais
  • The plasticity of generative artificial intelligence in materialized artistic practice: case study ‘in/visibilidades no feminine 2.0’
    Publication . Palma, Célia Fernandes; Carvalho, Isabel Cristina; Tavares, Mirian; Olivero, Lucas Fabian
    This article offers a critical examination of the convergence between art and technology, exploring how the generative plasticity of Artificial Intelligence reconfigures emerging artistic practices. It analyses the transformations introduced by Generative Artificial Intelligence, which metamorphoses modes of expression, production, and authorship while simultaneously enabling the subversion of hegemonic narratives and the emergence of new digital aesthetics. The analysis focuses on the materialisation of artistic artefacts through generative processes, with particular emphasis on the case study in/visibilidades no feminino 2.0, an experimental project that employs GenAI as a device for the symbolic recomposition of female identity, supported by ethnographic imagery and critical mediation strategies. The results demonstrate that GenAI can operate as an agent of co-authorship and interdisciplinary collaboration, fostering the reinscription of gendered subjectivities and opening space for new forms of representativity in contemporary art. Informed by Donna Haraway’s posthumanist perspective [1], this reflection problematises the relations between technology, hybridity, and identity construction, highlighting generative plasticity as a field of aesthetic experimentation and sociocultural transformation.
    2025Atas de conferência Acesso aberto Ver mais