CIAC | Artigos em revistas internacionais / Papers in international journals
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- Critical spatial thinking in women's resilience for an inclusive cityPublication . Carvalho, Isabel CristinaGender continues to affect how urban spaces are perceived and experienced. Girls and women continue to experience sexual harassment, feel unsafe and conditioned as they live and move in urban environments. Reinforcing the concept "Right to the City" of Henri Lefebvre (1991) and David Harvey (2008), this paper aims to explore the need to promote critical spatial thinking to demystify gender stereotypes, leading to the exercise of active citizenship, able to participate and contribute to the (re)design of an inclusive city. People are social products whose values and beliefs are shaped by society, often perpetuating social practices and norms that promote gender inequalities. It is crucial to enable and encourage critical spatial thinking about women's environment to understand and recognise existing limitations and constraints. The desire for change begins with awareness of the situation in which we live. Several authors refer to critical thinking as fundamental to the empowerment process, pointing out that by exercising critical reflection on the situation, women challenge gender inequality. The exercise of critical spatial thinking also highlights the need for new communication processes that recognise and enhance the importance of showing and share individual perspectives in the use of urban spaces. It will enrich a more active collective voice, increase civic participation necessary to build safer and gender-equal spaces in urban life.
- The plasticity of generative artificial intelligence in materialized artistic practice: case study ‘in/visibilidades no feminine 2.0’Publication . Palma, Célia Fernandes; Carvalho, Isabel Cristina; Tavares, Mirian; Olivero, Lucas FabianThis article offers a critical examination of the convergence between art and technology, exploring how the generative plasticity of Artificial Intelligence reconfigures emerging artistic practices. It analyses the transformations introduced by Generative Artificial Intelligence, which metamorphoses modes of expression, production, and authorship while simultaneously enabling the subversion of hegemonic narratives and the emergence of new digital aesthetics. The analysis focuses on the materialisation of artistic artefacts through generative processes, with particular emphasis on the case study in/visibilidades no feminino 2.0, an experimental project that employs GenAI as a device for the symbolic recomposition of female identity, supported by ethnographic imagery and critical mediation strategies. The results demonstrate that GenAI can operate as an agent of co-authorship and interdisciplinary collaboration, fostering the reinscription of gendered subjectivities and opening space for new forms of representativity in contemporary art. Informed by Donna Haraway’s posthumanist perspective [1], this reflection problematises the relations between technology, hybridity, and identity construction, highlighting generative plasticity as a field of aesthetic experimentation and sociocultural transformation.
- Subversão feminista e “Coautoria Algorítmica” na prática artística com GenAI: Ivona Tau, Stephanie Dinkins e o artefacto autoral in/visibilidades no feminino 3.0Publication . Palma, Celia; Carvalho, Isabel Cristina; Tavares, MirianO artigo propõe uma reflexão crítica sobre a convergência entre arte, tecnologia e género, com foco na análise de práticas artísticas feministas que recorrem à Inteligência Artificial Generativa (GenAI) como instrumento de subversão estética, simbólica e política. A investigação discute as transformações introduzidas pelas linguagens visuais emergentes e o seu impacto disruptivo na desconstrução de narrativas hegemónicas, a partir das obras de Ivona Tau e Stephanie Dinkins, analisando a aplicação da GenAI na ressignificação dos territórios do corpo, da memória e das subjetividades femininas. Enquanto Ivona Tau recorre a redes neurais artificiais e codificação para manipular imagens fotográficas e evocar memórias poéticas que desafiam os padrões normativos estéticos, Stephanie Dinkins integra a GenAI como agente de crítica social, desenvolvendo entidades artificiais alinhadas com comunidades racializadas e promovendo representações inclusivas. Em diálogo com estas referências, apresenta-se o estudo de caso autoral in/visibilidades no feminino 3.0, um artefacto experimental que mobiliza a GenAI como técnica de recomposição simbólica, articulada a processos de mediação cultural crítica e imagética etnográfica. A prática evidencia o potencial da GenAI enquanto ferramenta de “coautoria algorítmica”, colaborativa e simbólica, desafiando os modelos tradicionais de autoria. Ancorada na perspetiva pós-humanista de Donna Haraway (2016, 2022), a proposta valoriza a interação crítica entre humanos, máquinas e organismos como estratégia de cocriação e insurgência estética.