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Publication
Social representations of food portrayed in Festa de Babete
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Advisor(s)
Abstract(s)
O cinema constitui um meio importante para manifestação de representações sociais dos realizadores e espectadores. A alimentação é abordada no cinema, despertando sabores e sensações, o paladar, o apetite e o prazer através das imagens projetadas. Identificar e analisar representações sociais dos espectadores referentes à alimentação retratada em filmes é objetivo deste estudo. Utilizou-se o Google Forms para identificar nas redes sociais o filme com a respetiva imagem ou fala retratando a alimentação no cinema. As falas foram interpretadas pela análise de conteúdo, utilizando-se a teoria das representações sociais como referencial teórico. Os filmes mais citados que vieram à mente dos 35 participantes foram A Festa de Babette (Gabriel Axel) (26,47%) e Ratatouille (Brad Bird) (17,64%). Na Festa de Babette o alimento entra primeiramente com restrição, adequado à pequena aldeia, refletindo parâmetros conservadores e religiosos de duas irmãs, sendo somente uma fonte de alimentação. Em seguida, no banquete, o alimento serve para a descoberta do prazer, do (re)encontro afetivo, do empoderamento do ser como um indivíduo único, que precisa tanto das obrigações sociais, mas também de descobrir em sua individualidade, o prazer da vida. A utilização da teoria das Representações Sociais neste estudo possibilitou estudar realidades sociais e culturais, fenómenos que envolvem algumas características fundamentais do quotidiano e outros que modificam a rotina das pessoas, como o filme A Festa de Babette.
Abstract: Cinema is a stage for the manifestation of social representations by directors and spectators. Food is covered in the cinema, awakening the palate and appetite through the projected images. Surveying and analyzing the social representations of cinema viewers regarding food portrayed in films is the objective of this study. Google Forms was used to raise the film on social media with the respective image or speech depicting food in the cinema. The statements were interpreted by content analysis, using the theory of social representations. The most mentioned films that came to mind among the 35 participants was Babette's Feast (26.47%). At Babette's Feast, food is initially restricted, appropriate to the small village, reflecting the conservative and religious parameters of the two sisters, being only a source of food. Then, at the banquet, food serves to discover pleasure, affective (re)encounter, empowerment of the being as a unique individual, who needs both social obligations, but also to discover in his individuality, the pleasure of life. In the film Babette's Feast, the RS of people who like films about food emerge when food is transformed into tasty food, shared among people. The use of the theory of Social Representations in this study made it possible to study social realities, phenomena that involve some fundamental characteristics of daily life and those phenomena that disturb people's routines, such as the film Babette's Feast.
Abstract: Cinema is a stage for the manifestation of social representations by directors and spectators. Food is covered in the cinema, awakening the palate and appetite through the projected images. Surveying and analyzing the social representations of cinema viewers regarding food portrayed in films is the objective of this study. Google Forms was used to raise the film on social media with the respective image or speech depicting food in the cinema. The statements were interpreted by content analysis, using the theory of social representations. The most mentioned films that came to mind among the 35 participants was Babette's Feast (26.47%). At Babette's Feast, food is initially restricted, appropriate to the small village, reflecting the conservative and religious parameters of the two sisters, being only a source of food. Then, at the banquet, food serves to discover pleasure, affective (re)encounter, empowerment of the being as a unique individual, who needs both social obligations, but also to discover in his individuality, the pleasure of life. In the film Babette's Feast, the RS of people who like films about food emerge when food is transformed into tasty food, shared among people. The use of the theory of Social Representations in this study made it possible to study social realities, phenomena that involve some fundamental characteristics of daily life and those phenomena that disturb people's routines, such as the film Babette's Feast.
Description
Keywords
Representações sociais Alimentação Cinema Cultura Gastronomia Social representations Food Cinema Culture Gastronomy
Citation
Amorim, M. M., Ramos, M. N., Ramos, M. C. P. (2024). Social representations of food portrayed in Festa de Babete/ Representações sociais da alimentação retratadas em Festa de Babete. Avanca Cinema Journal, nº.15, 1-7.
Publisher
Cine Clube de Avanca